£6,000-£9,000
$12,000-$18,000 Value Indicator
$10,500-$16,000 Value Indicator
¥60,000-¥80,000 Value Indicator
€7,000-€11,000 Value Indicator
$60,000-$90,000 Value Indicator
¥1,180,000-¥1,780,000 Value Indicator
$7,500-$11,500 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 40
Year: 1998
Size: H 70cm x W 100cm
Signed: Yes
Format: Signed Print
TradingFloor
Watch artwork, manage valuations, track your portfolio and return against your collection
Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
June 2024 | Germann Auctions - Switzerland | Composition With Circles 1 - Signed Print | |||
October 2009 | Doyle Auctioneers & Appraisers - United States | Composition With Circles 1 - Signed Print | |||
March 2005 | Bonhams New Bond Street - United Kingdom | Composition With Circles 1 - Signed Print | |||
October 2003 | Christie's London - United Kingdom | Composition With Circles 1 - Signed Print | |||
June 2003 | Bonhams New Bond Street - United Kingdom | Composition With Circles 1 - Signed Print | |||
March 2003 | Bonhams Knightsbridge - United Kingdom | Composition With Circles 1 - Signed Print |
This signed screen print was released in 1998 in an edition of 40. Rhythmic, optical and lyrical, in Composition With Circles 1 Riley constructs a field of repeating and overlapping circles within a rectangular frame. The circles, of equal size, are black against a white background. Highly minimalist, this kaleidoscope of circles creates an abundance of novel forms as they overlap at varying intervals.
New forms shift and emerge as the eye moves across the two-dimensional surface: a visual effect characteristic of Bridget Riley’s work. It is these optical illusions which led to Riley being classified an ‘Op Art’ pioneer, which takes its name from the optical effects of the artworks.