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Coloured Greys 2 - Signed Print by Bridget Riley 1972 - MyArtBroker

Coloured Greys 2
Signed Print

Bridget Riley

£4,150-£6,000Value Indicator

$8,500-$12,500 Value Indicator

$7,500-$11,000 Value Indicator

¥40,000-¥60,000 Value Indicator

€4,800-€7,000 Value Indicator

$45,000-$60,000 Value Indicator

¥830,000-¥1,190,000 Value Indicator

$5,500-$8,000 Value Indicator

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57 x 57cm, Edition of 125, Screenprint

Medium: Screenprint

Edition size: 125

Year: 1972

Size: H 57cm x W 57cm

Signed: Yes

Format: Signed Print

Last Auction: June 2025

Value Trend:

-2% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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4 in network
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
June 2025
Menzies Art Brands, Sydney
Australia
$4,100
$4,850
$6,000
January 2025
Phillips London
United Kingdom
June 2023
Phillips London
United Kingdom
June 2018
Bonhams New Bond Street
United Kingdom
April 2013
Christie's London
United Kingdom
September 2008
Christie's London
United Kingdom
October 2004
Christie's London
United Kingdom
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Track auction value trend

The value of Bridget Riley’s Coloured Greys 2 (signed) is estimated to be worth between £4,150 and £6,000. This screenprint has shown consistent value growth since its first sale in June 2004. In the last 12 months, the average selling price was £5,050, across 2 total sales. Over the past five years, the hammer price has ranged from £3,600 in June 2025 to £9,500 in June 2023. This artwork has an average annual growth rate of -2% and has an auction history of 9 total sales. The edition size of this artwork is limited to 125.

Created with Highcharts 11.4.8Oct 2004Mar 2008Sep 2011Feb 2015Jul 2018Jan 2022Jun 2025$3,500$4,000$4,500$5,000$5,500$6,000$6,500© MyArtBroker

Meaning & Analysis

The print plays upon Riley’s consideration of art as a form of optical science, an idea which the artist acquired during her fine art education, and which had come down to her from the works of Pointillist French artist Georges Seurat. Like Seurat, Riley developed a striking interest in the ways in which the formal elements of painting, colour and form, which together conjoin to create an artistic narrative, could be dissected, abstracted and used to induce different optical illusions and manipulations of the viewer’s visual field, thereby activating the artwork through an illusory sensation of movement. The repetition of the horizontal geometrical pattern mischievously induces in the beholder the sensation that the lines are moving, a technique which also endows the art piece with a sense of dynamism and three-dimensionality.

  • Bridget Riley, a leading figure in the British Op-Art movement, has captivated audiences with her abstract paintings and prints that challenge visual perception. Born in London, 1931, Riley’s artistic journey evolved from semi-Impressionist beginnings to geometric mastery, significantly influencing modern art. Her groundbreaking artworks, from Movement In Squares to the vibrant Stripes series, explore optical phenomena and colour dynamics, creating mesmerising, dizzying effects. With a prolific career spanning over seven decades, Riley’s innovative designs and perceptual disruptions continue to shape contemporary British art, solidifying her enduring influence in the realm of abstract and modern art.

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