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Vine Street, West L.A - Signed Print by Bob Dylan 2016 - MyArtBroker

Vine Street, West L.A
Signed Print

Bob Dylan

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35 x 40cm, Edition of 295, Giclée print

Medium: Giclée print
Edition size: 295
Year: 2016
Size: H 35cm x W 40cm
Signed: Yes
Format: Signed Print
Last Auction: March 2025

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
March 2025
Forum Auctions London
United Kingdom
£680
£800
£1,008
September 2021
Whyte's
Ireland
MyPortfolio
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Track auction value trend

The value of Bob Dylan's Vine Street, West L.A (signed) is estimated to be worth between £1,000 and £1,550. Over the past 12 months, the average selling price was £800, with a total of 2 sales. In the last five years, the hammer price has varied from £800 in March 2025 to £2,902 in September 2021. This Giclée print from 2016 has shown a consistent value growth and an annual average growth rate of 15%. This artwork has an auction history of 4 total sales since its entry to the market in September 2021. The edition size of this artwork is limited to 295.

Created with Highcharts 11.4.8Sep 2021Apr 2022Nov 2022Jun 2023Jan 2024Aug 2024Mar 2025£1,000£1,002£1,004£1,006£1,008£1,010£1,012£1,014£1,016£1,018£1,020© MyArtBroker

Meaning & Analysis

Vine Street is a significant location within American entertainment history, as the intersection of Hollywood and Vine has become symbolic of Hollywood itself. However, Dylan's focus is not on glamorous Hollywood imagery, but instead the working-class commercial reality of the San Fernando Valley. The subject is a Mexican food establishment, reflecting the demographic and cultural changes that have shaped contemporary California - the San Fernando Valley, specifically, has become a symbol for the post-war American suburban expansion and the multicultural transformation of Los Angeles. The juxtaposition of commercial signage, such as “Hollywood Stars Car Wash” and “Mexican Fast Food,” against a bright, open blue sky, creates a symphony of modern American capitalist vernacular. The piece echoes the bold colours and subject matter of American Pop Art, particularly the work of artists like Ed Ruscha, who documented Los Angeles commercial architecture, though Dylan's treatment maintains a more observational, less ironic stance. In his The Beaten Path series, Dylan avoided mainstream perspectives, documenting genuine American experiences, transforming everyday commercial landscapes into compelling commentaries on contemporary urban culture and the diverse communities that populate America's cities.


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