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Medium: Giclée print
Edition size: 295
Year: 2010
Size: H 69cm x W 56cm
Signed: Yes
Format: Signed Print
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Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
April 2024 | Rosebery's Fine Art Auctioneers | United Kingdom |
Created in 2010, Bob Dylan's Train Tracks White offers a contemplative variation within his railway series, distinguished by its stark, lighter palette. This signed print, released in an edition of 295, represents Dylan's travels from gig to gig across America, employing a white colouration that creates a markedly different emotional resonance from the more vibrant versions in the series.
Train Tracks White demonstrates Dylan's practice of revisiting and reimagining his original 1989-1992 sketches with different colour schemes to evoke varying emotional responses and to represent different geographical locations and the changing seasons. The white palette emphasises the solitary nature of the journey, creating a stark, meditative mood as the tracks stretch toward an unknown destination. Dylan's characteristic bold linework and expressive style transform this simple railway scene into a powerful meditation on isolation and movement. The composition draws viewers along the rails through exaggerated perspective, while the lighter tones juxtapose emptiness with possibility. This piece was created during a period when Dylan was actively reworking his original touring drawings, applying new colours and textures to transform their emotional impact.
The 2010 release occurred during a year when Dylan continued his vigorous performance schedule as he entered his 70s, amongst ongoing critical discourse about his artistic legacy. The work also connects to Dylan's broader exploration of American landscapes and his philosophy of finding meaning in everyday scenes - something encountered during his extensive touring years and expressed throughout his artistic and musical career. Like other Train Tracks works, it serves as both a literal documentation of American infrastructure and a metaphorical exploration of life's uncertainties and the passage of time.