Love Is In The Air (Flower Thrower)
Love Is In The Air (Flower Thrower)
Signed Print
Banksy
£70,000-£100,000
$140,000-$200,000 Value Indicator
$130,000-$180,000 Value Indicator
¥640,000-¥920,000 Value Indicator
€80,000-€120,000 Value Indicator
$690,000-$980,000 Value Indicator
¥13,590,000-¥19,410,000 Value Indicator
$90,000-$130,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 50
Year: 2003
Size: H 50cm x W 70cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| December 2024 | Bonhams New Bond Street | United Kingdom | |||
| December 2023 | Bonhams New Bond Street | United Kingdom | |||
| August 2022 | Sotheby's Online | United Kingdom | |||
| April 2022 | Sotheby's Online | United Kingdom | |||
| March 2022 | Sotheby's Online | United Kingdom | |||
| February 2022 | Forum Auctions London | United Kingdom | |||
| December 2021 | Hessink’s | Netherlands |
Meaning & Analysis
Banksy's iconic Love Is In The Air depicts a balaclava-wearing man holding a bouquet of flowers instead of a bomb. The edition of 50 signed screen prints was released in 2003, alongside 500 unsigned. Originally a mural on the West Bank Wall, it symbolises Banksy’s anti-war beliefs and a plea for peace.
Love Is In The Air (Flower Thrower) features Banksy’s signature stencil style reaching back to his beginnings as a graffiti artist. The image depicts an angry young man wearing a bandana as a mask, in the action of throwing what could be a rock or a Molotov cocktail, but instead is a bouquet of flowers.
This image is considered to be reminiscent of pictures from 1960s campus and street riots around the globe. It has been interpreted as a representation of love and peace as an essential weapon for protestors if they want to achieve true change, instead of more violent means. It appeared as graffiti in the conflict-ridden Gaza strip area of Jerusalem as an indication by Banksy that there still might be hope for a peaceful solution in the ongoing struggle between Palestine and Israel. This print is largely monochromatic with a block-red colour background.
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