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Peaches (F. & S. II.202) - Signed Print by Andy Warhol 1979 - MyArtBroker

Peaches (F. & S. II.202)
Signed Print

Andy Warhol

£15,000-£23,000Value Indicator

$30,000-$50,000 Value Indicator

$28,000-$45,000 Value Indicator

¥150,000-¥220,000 Value Indicator

€17,000-€27,000 Value Indicator

$160,000-$250,000 Value Indicator

¥2,960,000-¥4,540,000 Value Indicator

$20,000-$30,000 Value Indicator

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76 x 102cm, Edition of 150, Screenprint

Medium: Screenprint

Edition size: 150

Year: 1979

Size: H 76cm x W 102cm

Signed: Yes

Format: Signed Print

Last Auction: April 2025

Value Trend:

23% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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7 in network
6 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
April 2025
Phillips New York
United States
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January 2025
Phillips London
United Kingdom
October 2024
Phillips New York
United States
April 2024
Rosebery's Fine Art Auctioneers
United Kingdom
March 2023
Clars Auction Gallery
United States
July 2022
Rosebery's Fine Art Auctioneers
United Kingdom
December 2018
Sotheby's New York
United States
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Track auction value trend

The value of Andy Warhol's Peaches (F. & S. II.202) (signed) is estimated to be worth between £15,000 and £23,000. Over the past 12 months, there have been 6 sales with an average selling price of £13,855. In the last five years, the hammer price has ranged from £9,053 in April 2025 to £18,513 in October 2024. This artwork has shown strong value growth, with an average annual growth rate of 23%. This screenprint is part of a limited edition of 150.

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Meaning & Analysis

These peaches, photographed by Warhol with an exaggerated shadow, have been outlined by the artist in black and coloured in a uniform peachy-orange colour. Their shadows are emphasised in purple and teal colour blocks While some texture and shading remains visible enough to identify the fruits, their monochromatic hue and extreme shadow make them almost unrecognisable. The purple in particular pops against the yellow-collage like background of the peaches. This background, two rectangles joined together but off-kilter, tilts towards the left, putting the entire image off balance and giving it a sense of movement, or even defiance of gravity.

Peaches comes from Warhol’s larger 1979 series, Space Fruit, which began as a collaboration with printer Rupert Jasen Smith. Space Fruit is unique in Warhol’s oeuvre as one of his only still-life series. The subject matter of fruit draws from a long tradition of still life. Peaches in particular appears to evoke the famous apple still lives of the French post-Impressionist Paul Cezanne.

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