£390,000-£580,000Value Indicator
$820,000-$1,210,000 Value Indicator
$730,000-$1,080,000 Value Indicator
¥3,820,000-¥5,670,000 Value Indicator
€450,000-€670,000 Value Indicator
$4,170,000-$6,210,000 Value Indicator
¥77,580,000-¥115,380,000 Value Indicator
$530,000-$790,000 Value Indicator
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100 x 80cm, Edition of 30, Screenprint
Medium: Screenprint
Edition size: 30
Year: 1985
Size: H 100cm x W 80cm
Signed: Yes
Format: Signed Print
Last Auction: November 2023
Value Trend:
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
TradingFloor
In this signed screen print, Andy Warhol has reproduced the official portrait of Queen Elizabeth II of the United Kingdom. Produced in 1985 on Lennox museum board, this image features diamond dust to add grandeur and luster. Warhol applied Elizabeth II’s 1977 official portrait for her silver jubilee, adding colour blocking and his own drawing to highlight the monarch’s jewelry. The blue background set against the monarch’s pale blue-toned face, white dress, and red outlining recalls the Union Jack flag of her nation. This edition of 30 is one of four images of Queen Elizabeth II produced for the series Reigning Queens.
Continually inspired by fame and political influence, Warhol set out to create one of his largest portfolios in 1985. The resulting Reigning Queens features four monarchs who ruled in their own right at the time of production: Queen Beatrix of the Netherlands, Queen Margrethe of Denmark, and Queen Ntombi Twala of Swaziland. Warhol created these images from official portraits, but adapted them to his signature style of bold colours and flatted contrast. Warhol’s image of Queen Elizabeth II was acquired by the Royal Collection in 2012.
Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.