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Queen Ntombi Twala Of Swaziland (F. & S. II.346) - Signed Print by Andy Warhol 1985 - MyArtBroker

Queen Ntombi Twala Of Swaziland (F. & S. II.346)
Signed Print

Andy Warhol

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100 x 80cm, Edition of 40, Screenprint

Medium: Screenprint
Edition size: 40
Year: 1985
Size: H 100cm x W 80cm
Signed: Yes
Format: Signed Print
Last Auction: October 2022

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2022
Venduehuis der Notarissen
Netherlands
£5,921
£6,966
£9,056
November 2020
Doyle Auctioneers & Appraisers
United States
March 2016
Millon & Associes
France
MyPortfolio
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Track auction value trend

The value of Andy Warhol’s Queen Ntombi Twala Of Swaziland (F. & S. II.346) is estimated to be worth between £5,000 and £7,500. This signed screenprint, created in 1985, has shown consistent value growth, with an average annual growth rate of 6%. This work has an auction history of three total sales since its entry to the market in March 2016. The hammer price over the past 12 months has ranged from £6,763 in November 2020 to £6,966 in October 2022. The average return to the seller over the last five years has been £5,835. The edition size of this artwork is limited to 40.

Created with Highcharts 11.4.8Mar 2016Apr 2017May 2018Jun 2019Aug 2020Sep 2021Oct 2022£5,500£6,000£6,500£7,000£7,500£8,000£8,500£9,000£9,500© MyArtBroker

Meaning & Analysis

Reigning Queens features four queens who reigned while Warhol produced the series: Queen Beatrix of the Netherlands, Queen Margrethe II of Denmark, and Queen Elizabeth II of the United Kingdom. Produced late in his life, the series was one of Warhol’s largest. Queen Ntombi Twala, the only non-European queen, ruled as regent in her home nation of Swaziland until 1986, when her son came of age and ascended to the throne. Since then, she has ruled in the position of Queen Mother.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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