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Queen Ntombi Twala Of Swaziland (F. & S. II.346) - Signed Print by Andy Warhol 1985 - MyArtBroker

Queen Ntombi Twala Of Swaziland (F. & S. II.346)
Signed Print

Andy Warhol

£5,000-£8,000Value Indicator

$10,500-$16,000 Value Indicator

$9,000-$14,500 Value Indicator

¥50,000-¥80,000 Value Indicator

6,000-9,500 Value Indicator

$50,000-$80,000 Value Indicator

¥960,000-¥1,540,000 Value Indicator

$6,500-$10,500 Value Indicator

-5% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Screenprint

Edition size: 40

Year: 1985

Size: H 100cm x W 80cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Andy Warhol’s Queen Ntombi Twala Of Swaziland (F. & S. II.346) (signed) is estimated to be worth between £5,000 and £8,000. This screenprint has shown consistent value growth, with an auction history of three total sales since its entry to the market in March 2016. The hammer price over the past 12 months has ranged from £6,763 in November 2020 to £6,966 in October 2022. The average annual growth rate for this artwork is -5%. The edition size of this artwork is limited to 40.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
October 2022Venduehuis der Notarissen Netherlands
November 2020Doyle Auctioneers & Appraisers United States
March 2016Millon & Associes France

Meaning & Analysis

Reigning Queens features four queens who reigned while Warhol produced the series: Queen Beatrix of the Netherlands, Queen Margrethe II of Denmark, and Queen Elizabeth II of the United Kingdom. Produced late in his life, the series was one of Warhol’s largest. Queen Ntombi Twala, the only non-European queen, ruled as regent in her home nation of Swaziland until 1986, when her son came of age and ascended to the throne. Since then, she has ruled in the position of Queen Mother.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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