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Ingrid Bergman, The Nun (F. & S. II.314) - Signed Print by Andy Warhol 1983 - MyArtBroker

Ingrid Bergman, The Nun (F. & S. II.314)
Signed Print

Andy Warhol

£21,000-£30,000Value Indicator

$45,000-$60,000 Value Indicator

$40,000-$60,000 Value Indicator

¥210,000-¥290,000 Value Indicator

€24,000-€35,000 Value Indicator

$230,000-$320,000 Value Indicator

¥4,140,000-¥5,910,000 Value Indicator

$29,000-$40,000 Value Indicator

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96 x 96cm, Edition of 250, Screenprint

Medium: Screenprint

Edition size: 250

Year: 1983

Size: H 96cm x W 96cm

Signed: Yes

Format: Signed Print

Last Auction: April 2025

Value Trend:

4% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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5 in network
6 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
April 2025
Bukowskis, Stockholm
Sweden
£17,763
£20,898
£25,600
October 2023
Rago
United States
September 2023
Christie's London
United Kingdom
September 2023
Phillips London
United Kingdom
May 2023
Uppsala Auktionskammare
Sweden
October 2022
Menzies Art Brands, Sydney
Australia
April 2022
Bukowskis, Stockholm
Sweden
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The value of Andy Warhol's Ingrid Bergman, The Nun (F. & S. II.314) (signed) is estimated to be worth between £21,000 to £30,000. Over the past 12 months, the artwork has sold once at an average selling price of £20,898. In the last five years, the hammer price has ranged from £15,000 in September 2023 to £32,345 in April 2022. This work has shown consistent value growth, with an average annual growth rate of 4%. This screenprint has an auction history of 35 total sales since its entry to the market in May 1999. The edition size of this artwork is limited to 250.

Created with Highcharts 11.4.8Apr 2022Oct 2022Apr 2023Oct 2023Apr 2024Oct 2024Apr 2025£14,000£16,000£18,000£20,000£22,000£24,000£26,000© MyArtBroker

Meaning & Analysis

Rendering the portrait with an artificial colour palette, Warhol skillfully conveys his ideas on the shallow, performative nature of the mass-media image and celebrity culture. This notion of artificiality is also reflected in that Warhol has decided to show Bergman in character.

Warhol has manipulated the image to accentuate Bergman’s facial features against dark contrasts, framed by the silhouette of a traditional nun’s wimple. Warhol has drawn attention to Bergman’s lips with pink tones so as to glamorise this otherwise serious movie still. This portrait characterises the actress as an enduring sex symbol, surrounded by a culture obsessed with her unattainable beauty. Vivid blocks of colour in orange, yellow, pink and blue echo the shape of the wimple adding an element of abstraction to the piece and show her to be a formidable character.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.