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Camouflage (F. & S. II.411) - Signed Print by Andy Warhol 1987 - MyArtBroker

Camouflage (F. & S. II.411)
Signed Print

Andy Warhol

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38 x 38cm, Edition of 80, Screenprint

Medium: Screenprint
Edition size: 80
Year: 1987
Size: H 38cm x W 38cm
Signed: Yes
Format: Signed Print
Last Auction: October 2024

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2024
Bonhams Los Angeles
United States
£22,400
£26,353
£33,732
June 2022
Phillips London
United Kingdom
MyPortfolio
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Track auction value trend

The value of Andy Warhol’s Camouflage (F. & S. II.411) (signed) is estimated to be worth between £28,000 and £40,000. This screenprint, created in 1987, has shown consistent value growth, with an average annual growth rate of 10%. This is a rare artwork with an auction history of two sales, the first taking place on 14th June 2022 and the most recent sale being in the last 12 months. The hammer price in the last 12 months was £26,353. Over the past five years, the hammer price has ranged from £26,353 in October 2024 to £78,000 in June 2022. The average return to the seller for this piece is £44,350. The edition size of this artwork is limited to 80.

Created with Highcharts 11.4.8Jun 2022Nov 2022Mar 2023Aug 2023Jan 2024May 2024Oct 2024£17,500£20,000£22,500£25,000£27,500£30,000£32,500£35,000© MyArtBroker

Meaning & Analysis

The Camouflage series is made up of eight screen prints showing the commercial camouflage pattern, each coloured in a unique combination of vivid, flat colours. With a distinct lack of focal point, this print has an all-over composition much like the celebrated Abstract Expressionist paintings by figures like Jackson Pollock. Warhol deliberately subverts the grandeur of the Abstract Expressionists in his use of readily available, mundane patterns that he then repeats multiple times across the series.

Throughout his career, Warhol rallied against the ideals of ‘high art’ that were upheld by his predecessors in the Abstract Expressionist movement who insisted on the separation of art from everyday life. In this print, by appropriating already existing imagery to embody the principles of abstraction Warhol questioned traditional concepts of authorship, originality and reproduction. Stripping abstraction of all its traditional connotations of originality and freedom, Warhol successfully silences his critics and mocks Abstract Expressionism through the realm of Pop Art.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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