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Renaissance Paintings

Details Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326) Signed Print

Andy Warhol: Details Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326) - Signed Print

Details Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326)

Details Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326) - Signed Print by Andy Warhol 1984 - MyArtBroker

Details Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326)
Signed Print

Andy Warhol

£17,000-£25,000

Value Indicator

$35,000-$50,000 Value Indicator

$30,000-$45,000 Value Indicator

¥160,000-¥230,000 Value Indicator

€20,000-€30,000 Value Indicator

$170,000-$250,000 Value Indicator

¥3,310,000-¥4,870,000 Value Indicator

$22,000-$35,000 Value Indicator

11% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 50

Year: 1984

Size: H 81cm x W 111cm

Signed: Yes

Format: Signed Print

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The value of Andy Warhol’s Details Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326) (signed) is estimated to be worth between £17,000 and £25,000. This screenprint has shown consistent value growth, with an average annual growth rate of 11%. This work has an impressive auction history, having been sold 8 times since its initial sale in May 2000. The sales in the last 12 months have seen an average selling price of £14,867 across 2 total sales. In the last five years, the hammer price has ranged from £11,896 in May 2021 to £16,000 in May 2024. The average annual return for the seller is £1,195. The edition size of this artwork is limited to 50.

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Auction Results

Auction Date	Auction House	Artwork	Hammer Price	Return to Seller	Buyer Paid
May 2024	Bonhams New Bond Street - United Kingdom	Details Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326) - Signed Print
December 2023	Bonhams New Bond Street - United Kingdom	Details Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326) - Signed Print
November 2023	Palm Beach Modern Auctions - United States	Details Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326) - Signed Print
May 2021	Uppsala Auktionskammare - Sweden	Details Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326) - Signed Print
January 2018	Phillips London - United Kingdom	Details Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326) - Signed Print
June 2016	Ketterer Kunst Hamburg - Germany	Details Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326) - Signed Print
July 2009	Christie's New York - United States	Details Of Renaissance Paintings (Paolo Uccello, St. George And The Dragon, 1460) (F. & S. II.326) - Signed Print

Meaning & Analysis

Paolo Uccello, St. George and the Dragon 1460, is a print from Andy Warhol’s Details of Renaissance Paintings series (1984) where the artist has appropriated an oil painting depicting a scene from the legendary story of St. George and the dragon. Throughout the series, Warhol injects the original Renaissance paintings with vibrant colours and kitschy style, rendering images of fine art into symbols of popular culture.

The original painting by Uccello is of a magical world of fairy tale with its fantastical dragon. Warhol’s translation of the image, with the tightly cropped composition focusing on the dragon’s spiky, spotted wings, corkscrew tail and the princess flattened against the picture plane, is more suggestive of a comic strip than a depiction of the legend of St. George. The subtle quality of the original painting has been usurped by Warhol’s use of brilliant, non-naturalistic colour, using bright red, orange pink and green hues.

Warhol severely alters the original painting that he appropriates, making it entirely distinct and recognisably Pop Art, to prove his point that there is indeed originality in repetition. Choosing to tightly crop the composition so as to only show the pale princess and dragon’s wing, Warhol focuses on the calm and controlled moments within the otherwise violent and chaotic scene.

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Read more about Andy Warhol Prints & Editions

read more about Renaissance Paintings

Read more about Andy Warhol Prints & Editions

Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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