Details Of Renaissance Paintings (Leonardo Da Vinci, The Annunciation, 1472) (F. & S. II.321)
Details Of Renaissance Paintings (Leonardo Da Vinci, The Annunciation, 1472) (F. & S. II.321)
Signed Print
Andy Warhol
£30,000-£45,000Value Indicator
$60,000-$90,000 Value Indicator
$60,000-$80,000 Value Indicator
¥290,000-¥440,000 Value Indicator
€35,000-€50,000 Value Indicator
$320,000-$480,000 Value Indicator
¥5,970,000-¥8,960,000 Value Indicator
$40,000-$60,000 Value Indicator
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81 x 112cm, Edition of 60, Screenprint
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Meaning & Analysis
Andy Warhol’s print Leonardo da Vinci, The Annunciation, 1472) (F. & S. II.321) is based on Leonardo da Vinci’s The Annunciation (c. 1472-1475) now in the Uffizi gallery in Florence. Warhol has cropped Leonardo’s original to focus on the hands of the Angel Gabriel and Mary, the walled garden, and the landscape in the background. He replaces the muted colours of the original with bold purples, pints, and cerulean before adding his own outlines and emphasis in yellow and white. By drawing over this image, Warhol has changed the emphasis to the trees and mountains in the background, rather than the hands of the foreground.
Produced towards the end of his life, Warhol’s series, Details of Renaissance Paintings, render masterworks of Sandro Botticelli, Leonardo da Vinci, and Paolo Uccello in the twentieth-century medium of screen printing. Warhol first applied printing to Renaissance masterpieces after seeing the Mona Lisa in New York in 1963. Two decades later, he returned to the subject with the eyes of a mature artist, making bolder compositional choices with cropping and overdrawing. In reproducing and reinventing these masterpieces, Warhol placed himself in the canon of greats.
Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.
