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Details Of Renaissance Paintings (Leonardo Da Vinci, The Annunciation, 1472) (F. & S. II.320) - Signed Print by Andy Warhol 1984 - MyArtBroker

Details Of Renaissance Paintings (Leonardo Da Vinci, The Annunciation, 1472) (F. & S. II.320)
Signed Print

Andy Warhol

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81 x 112cm, Edition of 60, Screenprint

Medium: Screenprint

Edition size: 60

Year: 1984

Size: H 81cm x W 112cm

Signed: Yes

Format: Signed Print

Last Auction: December 2018

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
December 2018
Sotheby's New York
United States
$19,000
$22,000
$28,000
June 2018
Uppsala Auktionskammare
Sweden
January 2007
Lempertz, Cologne
Germany
MyPortfolio
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The value of Andy Warhol's Details Of Renaissance Paintings (Leonardo Da Vinci, The Annunciation, 1472) (F. & S. II.320) (signed) is estimated to be worth between £40,000 to £60,000. This screenprint, created in 1984, has an auction history of three total sales since its entry to the market in January 2007. There have been no sales in the last 12 months or the last five years. The edition size of this artwork is limited to 60.

Created with Highcharts 11.4.8Jan 2007Jan 2009Jan 2011Dec 2012Dec 2014Dec 2016Dec 2018$15,000$17,500$20,000$22,500$25,000$27,500$30,000© MyArtBroker

Meaning & Analysis

Warhol’s mature series, Details of Renaissance Paintings, draws on iconic works of Sandro Botticelli, Leonardo da Vinci, and Paolo Uccello, bringing them into contemporary life with bold new cropping and colour. The Pop Artist printed his first Renaissance recreation after seeing the Mona Lisa at its exhibition in New York in 1963. He returned to the subject two decades later, replicating several other iconic Italian paintings. In replicating these masterpieces, Warhol placed himself in the canon of greats.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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