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Ladies And Gentlemen (F. & S. II.134) - Signed Print by Andy Warhol 1975 - MyArtBroker

Ladies And Gentlemen (F. & S. II.134)
Signed Print

Andy Warhol

£6,000-£8,500Value Indicator

$12,500-$18,000 Value Indicator

$11,000-$16,000 Value Indicator

¥60,000-¥80,000 Value Indicator

7,000-10,000 Value Indicator

$60,000-$90,000 Value Indicator

¥1,190,000-¥1,690,000 Value Indicator

$8,000-$11,500 Value Indicator

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110 x 72cm, Edition of 125, Screenprint

Medium: Screenprint
Edition size: 125
Year: 1975
Size: H 110cm x W 72cm
Signed: Yes
Format: Signed Print
Last Auction: May 2025
Value Trend:
6% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
May 2025
Artcurial
France
£5,197
£6,114
£7,703
May 2025
Ambrosiana Auction House & Poleschi Auction House
Italy
April 2025
Phillips New York
United States
November 2024
Il Ponte Auction House, Via Pontaccio
Italy
October 2024
Lama
United States
June 2024
Dorotheum, Vienna
Austria
May 2024
Cottone Auctions
United States
MyPortfolio
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Track auction value trend

The value of Andy Warhol’s Ladies And Gentlemen (F. & S. II.134) (signed) is estimated to be worth between £6,000 and £8,500. Over the past 12 months, the screenprint has sold 5 times with an average selling price of £5,534. In the last five years, the hammer price has ranged from £3,772 in April 2025 to £8,610 in December 2023. The average annual growth rate of this artwork is 6%. This work has an auction history of 15 total sales since its entry to the market in December 1999. The edition size of this artwork is limited to 125.

Created with Highcharts 11.4.8May 2024Jul 2024Sep 2024Nov 2024Jan 2025Mar 2025May 2025£4,000£4,500£5,000£5,500£6,000£6,500£7,000£7,500£8,000© MyArtBroker

Meaning & Analysis

The print series remains controversial as it depicts a community that Warhol was not part of, with the subjects having very little agency in how they were portrayed and where the works would be displayed. Indeed, in an interview from 1979, one of Warhol’s sitters, Marsha P. Johnson, pointed to the absurdity of her portrait being on sale for thousands of dollars, whilst she struggled to pay rent.

To create the series Warhol recruited models from Manhattan’s Gilded Grape bar, a popular space where New York’s Black and Latinx trans women and drag queens came to spend time with one another. Warhol then took over 500 Polaroids of 14 sitters, paying each of them only $50. This print shows the original Polaroid image to be flattened and simplified into two tones, with blocks of pink and brown seemingly collaged on top of the screen print. The layers of colour abstract the image into a 1980s Pop Art icon, reminiscent of portraits of Marilyn Monroe and Elizabeth Taylor.

  • Andy Warhol was a leading figure of the Pop Art movement and is often considered the father of Pop Art. Born in 1928, Warhol allowed cultural references of the 20th century to drive his work. From the depiction of glamorous public figures, such as Marilyn Monroe, to the everyday Campbell’s Soup Can, the artist challenged what was considered art by blurring the boundaries between high art and mass consumerism. Warhol's preferred screen printing technique further reiterated his obsession with mass culture, enabling art to be seen as somewhat of a commodity through the reproduced images in multiple colour ways.

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