£3,950-£6,000Value Indicator
$8,000-$12,500 Value Indicator
$7,500-$11,000 Value Indicator
¥40,000-¥60,000 Value Indicator
€4,550-€7,000 Value Indicator
$40,000-$60,000 Value Indicator
¥790,000-¥1,190,000 Value Indicator
$5,500-$8,000 Value Indicator
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
45 x 53cm, Edition of 100, Lithograph
TradingFloor
Grand Hotel I is a signed blue ink lithograph by Tracey Emin released in 2016 in an edition of 100. Picturing a figure lying face down on a bed defined by a series of fluid lines and marks, Grand Hotel I is a prime example of Emin’s distinctive use of the negative space afforded by her white paper background.
Characteristic of Tracey Emin’s typically fluid and sketchy style, this print has been created with a dizzying application of blue ink. Emin pictures a woman - perhaps herself - laying face down in bed with her hand on her crotch. Given the intimate setting of the lithograph and the concentration of ink around the figure’s crotch, the composition has a sensuality which is so integral to Emin’s life and work.
Tracey Emin, born in 1963, stands as a fearless provocateur in the contemporary art scene. A trailblazer of the Young British Artists (YBA) movement in the late 1980s, the artist has sparked conversation and controversy for decades. Confronting themes of love, trauma and femininity with great vulnerability, Emin's work is a visceral tapestry of her life and has forged an intimate dialogue between artist and audience. In 1999, this raw approach to storytelling won her a nomination to the Turner Prize and, in 2007, it got her a coveted spot as a Royal Academician at the Royal Academy of Arts (RA).