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Plaque (blank) - Signed Ceramic by Stik 2011 - MyArtBroker

Plaque (blank)
Signed Ceramic

Stik

£8,000-£12,500Value Indicator

$17,000-$27,000 Value Indicator

$14,500-$23,000 Value Indicator

¥70,000-¥120,000 Value Indicator

9,500-14,500 Value Indicator

$80,000-$120,000 Value Indicator

¥1,500,000-¥2,350,000 Value Indicator

$10,000-$16,000 Value Indicator

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23 x 23cm, Edition of 10, Resin

Medium: Resin
Edition size: 10
Year: 2011
Size: H 23cm x W 23cm
Signed: Yes
Format: Signed Ceramic
Last Auction: April 2024
Value Trend:
-16% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

TradingFloor

1 in network
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
April 2024
Phillips London
United Kingdom
N/A
N/A
N/A
September 2023
Tate Ward Auctions
United Kingdom
September 2021
Tate Ward Auctions
United Kingdom
June 2021
Chiswick Auctions
United Kingdom
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Track auction value trend

The value of Stik's Plaque (blank) is estimated to be worth between £8,000 and £12,500. This signed resin artwork, created in 2011, has shown a consistent auction history, having been sold 4 times since its initial sale on 11th June 2021. Over the past 12 months, the average selling price was £8,500, across 1 total sale. In the last five years, the hammer price has varied from £5,760 in September 2023 to £17,000 in September 2021. The average annual growth rate of this piece is currently -16%. The edition size of this artwork is limited to 10.

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Meaning & Analysis

The use of resin is a further example of Stik experimenting with materials of the street in his art, highly reminiscent of his use of traffic lights in his exhibition entitled Walk. The use of resin in a piece destined for the gallery articulates Stik’s vision of his work as a process that is a continuous  “collaboration with the city”. He originally relied on materials found on the street, noting: “I was pretty broke and painted on found materials, pulling things out of rubbish bins.”

The decision to work with resin complicates the neat division between Stik’s street and gallery practice, between which he has tended to draw a contrast. With Plaque, Stik brings materials associated with the urban exterior into the contained environment of the gallery interior.