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Nude With Blue Hair - Signed Print by Roy Lichtenstein 1994 - MyArtBroker

Nude With Blue Hair
Signed Print

Roy Lichtenstein

£630,000-£950,000Value Indicator

$1,320,000-$1,980,000 Value Indicator

$1,170,000-$1,760,000 Value Indicator

¥6,140,000-¥9,260,000 Value Indicator

750,000-1,130,000 Value Indicator

$6,710,000-$10,110,000 Value Indicator

¥122,190,000-¥184,250,000 Value Indicator

$850,000-$1,290,000 Value Indicator

19% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Relief print

Edition size: 40

Year: 1994

Size: H 147cm x W 96cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Roy Lichtenstein’s Nude With Blue Hair (signed), a relief print from 1994, is estimated to be worth between £630,000 and £950,000. This artwork has shown consistent value growth, with an average annual growth rate of 19%. Over the past 12 months, the average selling price was £602,801 across one sale. This work has a strong auction history, having been sold 16 times since its initial sale in September 2007. The edition size of this artwork is limited to 40.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
November 2024Sotheby's New York United States
April 2023Sotheby's New York United States
May 2021Wright United States
November 2019Bonhams New York United States
April 2017Phillips New York United States
April 2016Christie's New York United States
April 2016Sotheby's New York United States

Meaning & Analysis

The artist’s earliest depictions of female heroines originated in popular comic books and movie stills. These female figures were featured in several of Lichtenstein’s other series, primarily functioning as supporting elements in his creative exploration. The actual nude, however, appeared as a subject matter late in the artist’s career.

In Nude With Blue Hair, the application of the red Ben Day dots vary in size, transgressing the boundaries of the figure's naked upper body and head. Overlaying the contours of her face, the dots cascade from the picture’s top to the bottom. The flowing pattern is merely interrupted by the figure’s pale blue hair, suggesting that she in fact exists in a three-dimensional pictorial space inside the frame.

Patches of clear white base correspond to Lichtenstein’s literal stripping of the female subject to an essential form. The image is closely cropped, seemingly revealing the figure’s availability and generic desire. However, as the naked female figure leans unapologetically into view, the dynamic between subject and observer is subverted. In the end, the beholders themselves feel intruded upon by the leading lady of the composition.

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