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Mirror #6 - Signed Print by Roy Lichtenstein 1972 - MyArtBroker

Mirror #6
Signed Print

Roy Lichtenstein

£9,000-£13,500Value Indicator

$18,000-$28,000 Value Indicator

$17,000-$25,000 Value Indicator

¥90,000-¥130,000 Value Indicator

€10,500-€16,000 Value Indicator

$100,000-$140,000 Value Indicator

¥1,790,000-¥2,680,000 Value Indicator

$12,000-$18,000 Value Indicator

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81 x 55cm, Edition of 80, Planographic print

Medium: Planographic print

Edition size: 80

Year: 1972

Size: H 81cm x W 55cm

Signed: Yes

Format: Signed Print

Last Auction: December 2024

Value Trend:

16% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
December 2024
Sotheby's Paris
France
£7,743
£9,109
£10,931
May 2024
Los Angeles Modern Auctions
United States
August 2023
Sotheby's London
United Kingdom
November 2022
Bonhams New York
United States
November 2021
Bonhams New York
United States
July 2021
Wright
United States
June 2021
Wright
United States
MyPortfolio
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Roy Lichtenstein's Mirror #6, a signed Planographic Print from 1972, is estimated to be worth between £9,000 and £13,500. This artwork has shown consistent value growth, with an average annual growth rate of 5%. This work has an auction history of 12 total sales since its entry to the market in September 2011. In the last 12 months, the hammer price has ranged from £5,776 in July 2021 to £10,472 in November 2022. The average return to the seller over the past five years has been £7,100. The edition size of this piece is limited to 80.

Created with Highcharts 11.4.8Jun 2021Jan 2022Aug 2022Mar 2023Oct 2023May 2024Dec 2024£6,000£7,000£8,000£9,000£10,000£11,000£12,000© MyArtBroker

Meaning & Analysis

Mirror #6, executed in 1972, captures an oval shape rendered in dark red, black and yellow. Jagged lines and dense areas of dots are strewn across its surface, evoking the reflective attributes of glass. These regularised patterns are also used to indicate the edges of the oval’s framework. Lichtenstein’s visual language both forms and obscures the central image of his canvas. The artist presents his mirror frontally, displaying the complete absence of reflections. Mirror #6 is as much a misrepresentation, as it is an illustration of a mirror.

Over the course of his career, Lichtenstein embarked on several other series dealing with vision and representation. His Water Liliesand Reflections, for instance, explore various perceptions of light and reflection. Meanwhile, Lichtenstein’s Entablatures delve further into object painting, reproducing enlarged architectural fragments as their main composition.

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