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86 x 53cm, Edition of 250, Screenprint
Medium: Screenprint
Edition size: 250
Year: 1970
Size: H 86cm x W 53cm
Signed: Yes
Format: Signed Print
Last Auction: February 2025
Value Trend:
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
TradingFloor
Roy Lichtenstein’s Mirrors review the symbolism attributed to the mirror motif throughout history. The artist began his enigmatic series in the late 1960s, concluding it in the early 1990s. In art and mythology, mirrors have been used to expose hidden truths and complex perspectives. In line with the conventions of object painting, Lichtenstein keeps the formal characteristics of his mirrors intact. However, the artist liberates the object from its symbolic and functional purposes.
Twin Mirrors was executed in 1970 and presents two conjoined mirrors. The oblong shapes are rendered black and white, with indigo details. Monochrome dots span the rectangular surface, alluding to the reflective and uneven attributes of glass. Jagged lines are arranged near the edges of the canvas, indicating two respective frameworks. Lichtenstein’s use of geometric forms and intricate details both constitute and obscure his subject matter. The mirrors are presented frontally, displaying the complete absence of reflections. As such, Twin Mirrors is as much a parody, as it is an illustration of mirrors.
Over the course of his career, Lichtenstein embarked on several other series dealing with vision and representation. His Water Lilies and Reflections, for instance, explore various perceptions of light and reflection. Meanwhile, Lichtenstein’s Entablaturesdelve further into object painting, reproducing enlarged architectural fragments as their main composition.
Roy Lichtenstein, born in New York, 1923, is a seminal figure in the Pop Art movement, renowned for his comic book and advertisement-inspired artworks. His transformative journey from classical painter to Pop Art pioneer began with his iconic piece, Look Mickey, marking the fusion of painting with pop culture. Lichtenstein’s works, including Whaam!, Drowning Girl, and Crying Girl, blend parody and satire, challenging the boundaries between popular culture and ‘high art’. With over 5,000 pieces to his name, Lichtenstein’s enduring influence resonates in contemporary art, his works celebrated in prestigious institutions worldwide.