£5,500-£8,500Value Indicator
$11,500-$17,000 Value Indicator
$10,000-$16,000 Value Indicator
¥50,000-¥80,000 Value Indicator
€6,500-€10,000 Value Indicator
$60,000-$90,000 Value Indicator
¥1,090,000-¥1,690,000 Value Indicator
$7,500-$11,500 Value Indicator
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87 x 84cm, Edition of 80, Planographic print
Medium: Planographic print
Edition size: 80
Year: 1972
Size: H 87cm x W 84cm
Signed: Yes
Format: Signed Print
Last Auction: April 2025
Value Trend:
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
TradingFloor
Roy Lichtenstein launched his Mirror series in the late 1960s, concluding the sequence in the early 1990s. His Mirrors study the symbolic implications of the mirror motif in art and mythology. Historically, mirrors have been used to reveal complex perspectives and invisible truths. In keeping with the conventions of object painting, Lichtenstein maintains the physical appearance of his mirrors. However, the series liberates the item from its symbolism and functionality.
Mirror #5, executed in 1972, is the first rectangular edition of the series. The print conjures a flattened and unified surface. Two dislodged black and yellow colour blocks are pasted on a stark white backdrop. Fragmented red streaks and black dots adorn the rectangle’s edges, marking its framework. The abstracted shapes and the rich colour scheme constitute, yet also obscure the subject matter. Lichtenstein presents his mirror frontally, displaying the complete absence of reflections. Therefore, Mirror #5 is as much a contradiction, as an exemplification of a mirror.
Over the course of his career, Lichtenstein embarked on several other series dealing with vision and representation. His Water Liliesand Reflections, for instance, explore various perceptions of light and reflection. Meanwhile, Lichtenstein’s Entablatures delve further into object painting, reproducing enlarged architectural fragments as their main composition.
Roy Lichtenstein, born in New York, 1923, is a seminal figure in the Pop Art movement, renowned for his comic book and advertisement-inspired artworks. His transformative journey from classical painter to Pop Art pioneer began with his iconic piece, Look Mickey, marking the fusion of painting with pop culture. Lichtenstein’s works, including Whaam!, Drowning Girl, and Crying Girl, blend parody and satire, challenging the boundaries between popular culture and ‘high art’. With over 5,000 pieces to his name, Lichtenstein’s enduring influence resonates in contemporary art, his works celebrated in prestigious institutions worldwide.