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Mirror #7 - Signed Print by Roy Lichtenstein 1972 - MyArtBroker

Mirror #7
Signed Print

Roy Lichtenstein

£9,000-£13,500Value Indicator

$18,000-$28,000 Value Indicator

$17,000-$25,000 Value Indicator

¥90,000-¥130,000 Value Indicator

€10,500-€16,000 Value Indicator

$100,000-$140,000 Value Indicator

¥1,790,000-¥2,680,000 Value Indicator

$12,000-$18,000 Value Indicator

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99 x 64cm, Edition of 80, Planographic print

Medium: Planographic print

Edition size: 80

Year: 1972

Size: H 99cm x W 64cm

Signed: Yes

Format: Signed Print

Last Auction: December 2023

Value Trend:

16% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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3 in network
2 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
December 2023
Wright
United States
$8,500
$10,000
$12,500
May 2023
Bonhams New York
United States
April 2022
Wright
United States
November 2021
Bonhams New York
United States
September 2019
Phillips London
United Kingdom
November 2018
Clars Auction Gallery
United States
July 2013
Bonhams New Bond Street
United Kingdom
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Track auction value trend

The value of Roy Lichtenstein’s Mirror #7 (signed) is estimated to be worth between £9,000 and £13,500. This planographic print, created in 1972, has an auction history of 8 total sales since its entry to the market on 27th September 2011. Over the past five years, the hammer price has ranged from £7,950 in December 2023 to £13,225 in November 2021. The artwork demonstrates an average annual growth rate of 2% and has an edition size of 80.

Created with Highcharts 11.4.8Jul 2013Apr 2015Jan 2017Sep 2018Jun 2020Mar 2022Dec 2023$7,000$8,000$9,000$10,000$11,000$12,000$13,000© MyArtBroker

Meaning & Analysis

Mirror #7, executed in 1972, mimics the stylistic attributes of an arched window. The surface of the triple domes is dominated by dense streaks of grey dots, evoking the luminosity of glass. Jagged blue and yellow lines demarcate the mirror’s framework, adding a subtle elevation to the flattened form. The curving shape and the colourful details constitute, yet also obscure the subject matter. Lichtenstein presents the item head-on, displaying the complete absence of reflections. Thus, Mirror #7 is as much a parody, as it is an illustration of a mirror.

Over the course of his career, Lichtenstein embarked on several other series dealing with vision and representation. His Water Liliesand Reflections, for instance, explore various perceptions of light and reflection. Meanwhile, Lichtenstein’s Entablatures delve further into object painting, reproducing enlarged architectural fragments as their main composition.

  • Roy Lichtenstein, born in New York, 1923, is a seminal figure in the Pop Art movement, renowned for his comic book and advertisement-inspired artworks. His transformative journey from classical painter to Pop Art pioneer began with his iconic piece, Look Mickey, marking the fusion of painting with pop culture. Lichtenstein’s works, including Whaam!, Drowning Girl, and Crying Girl, blend parody and satire, challenging the boundaries between popular culture and ‘high art’. With over 5,000 pieces to his name, Lichtenstein’s enduring influence resonates in contemporary art, his works celebrated in prestigious institutions worldwide.

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