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The Sower - Signed Print by Roy Lichtenstein 1985 - MyArtBroker

The Sower
Signed Print

Roy Lichtenstein

£40,000-£60,000Value Indicator

$80,000-$120,000 Value Indicator

$70,000-$110,000 Value Indicator

¥390,000-¥580,000 Value Indicator

45,000-70,000 Value Indicator

$420,000-$630,000 Value Indicator

¥7,980,000-¥11,980,000 Value Indicator

$50,000-$80,000 Value Indicator

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105 x 141cm, Edition of 60, Planographic print

Medium: Planographic print
Edition size: 60
Year: 1985
Size: H 105cm x W 141cm
Signed: Yes
Format: Signed Print
Last Auction: April 2025
Value Trend:
3% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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1 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
April 2025
Christie's New York
United States
£38,504
£45,299
£57,077
December 2018
Christie's New York
United States
April 2018
Sotheby's New York
United States
October 2017
Christie's New York
United States
April 2016
Christie's New York
United States
October 2011
Christie's New York
United States
October 2008
Christie's New York
United States
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Track auction value trend

The value of Roy Lichtenstein’s The Sower (signed) is estimated to be worth between £40,000 and £60,000. This planographic print, created in 1985, has shown consistent value growth, with an average annual growth rate of 3%. This work has an auction history of 8 total sales since its entry to the market in November 2007. In the last 12 months, the average selling price was £45,299 across 1 sale. Over the past five years, the hammer price has ranged from £38,504 in September 2016 to £47,162 in May 2021. The edition size of this artwork is limited to 60.

Created with Highcharts 11.4.8Oct 2008Jul 2011Apr 2014Jan 2017Oct 2019Jul 2022Apr 2025£30,000£35,000£40,000£45,000£50,000£55,000£60,000© MyArtBroker

Meaning & Analysis

The Sower depicts a figure planting seeds while walking along a field populated by haystacks. The whole scene is composed of explosive pastel-toned and primary coloured brushstrokes. The vivid hand-painted sweeps within this portrait interact energetically with the mechanical aspects of the artist’s own style. Consequently, the layout of the print becomes similarly abstracted as Lichtenstein’s concurrent Brushstroke Faces and Seven Apple Woodcuts.

Although the print presents a panoramic plough land, Lichtenstein only includes the most distilled and poignant details found in a natural setting. His stylised brushstrokes are translated into the conventional language of the landscape genre, making them appear more instinctive. While Lichtenstein’s simulated painterly gestures symbolise nature in motion, the detached cartoon elements produce spatial ambiguities. These strokes seem to have been cut out and pasted on, drawing attention to the surface texture and object quality of the work.

  • Roy Lichtenstein, born in New York, 1923, is a seminal figure in the Pop Art movement, renowned for his comic book and advertisement-inspired artworks. His transformative journey from classical painter to Pop Art pioneer began with his iconic piece, Look Mickey, marking the fusion of painting with pop culture. Lichtenstein’s works, including Whaam!, Drowning Girl, and Crying Girl, blend parody and satire, challenging the boundaries between popular culture and ‘high art’. With over 5,000 pieces to his name, Lichtenstein’s enduring influence resonates in contemporary art, his works celebrated in prestigious institutions worldwide.

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