Temple
Temple
Signed Print
Roy Lichtenstein
£6,000-£9,000
$12,000-$18,000 Value Indicator
$10,500-$16,000 Value Indicator
¥60,000-¥80,000 Value Indicator
€7,000-€11,000 Value Indicator
$60,000-$90,000 Value Indicator
¥1,150,000-¥1,720,000 Value Indicator
$7,500-$11,500 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 300
Year: 1964
Size: H 58cm x W 43cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| Sotheby's London | United Kingdom | ||||
| November 2024 | Boetto Auction House | Italy | |||
| October 2024 | Forum Auctions London | United Kingdom | |||
| June 2024 | Phillips New York | United States | |||
| October 2023 | Bonhams New York | United States | |||
| May 2022 | Bonhams New York | United States | |||
| March 2022 | Sotheby's Online | United Kingdom |
Meaning & Analysis
Ancient architecture proved early on to be of surprising significance to pop pioneer Roy Lichtenstein. He frequently revisited the prehistoric moments of Western civilisation, studying and selecting instantly recognisable artistic forms and architectural structures. The artist later appropriated his chosen elements, reproducing and emptying them of their original meaning.
Undermining illusionism by the means of abstraction, Lichtenstein’s temple renditions demonstrate his mastery of decoding cultural images and signs. Akin to Temple Of Apolloof the same year, Temple of 1964 is a delicate lithograph. The illustration embraces a holistic view of a Doric style chapel. For this work, Lichtenstein drew inspiration from the formal magnificence and historical endurance of Greek temples. Constructed of local limestone, these buildings were situated on top of rocky hills to which devotees would make pilgrimages. These imposing sanctuaries were important emblems for ancient cities, symbolising growth and prosperity.
Temple’s ruins are constituted by three cracked stone pillars. Bold black, white and grey contours on dense Ben Day dot patterning define the elegant composition. The print zeroes in on the most important visual aspects of the landscape and the architectural structure. This work was created in preparation for Lichtenstein’s eleven-part detail-study of 1976 titled Entablatures.