The Valley Page 8
The Valley Page 8
Signed Print
Keith Haring
£1,300-£1,950
$2,500-$3,750 Value Indicator
$2,300-$3,450 Value Indicator
¥12,000-¥18,000 Value Indicator
€1,550-€2,350 Value Indicator
$13,000-$20,000 Value Indicator
¥250,000-¥380,000 Value Indicator
$1,700-$2,550 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Etching
Edition size: 80
Year: 1989
Size: H 36cm x W 30cm
Signed: Yes
Format: Signed Print
TradingFloor
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection
Track auction value trend
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| January 2024 | Lama - United States | The Valley Page 8 - Signed Print | |||
| April 2022 | Phillips New York - United States | The Valley Page 8 - Signed Print | |||
| April 2016 | Expertisez.com - France | The Valley Page 8 - Signed Print |
Meaning & Analysis
This signed etching from 1989 is a limited edition of 80 from Keith Haring’s The Valley series. The Valley Page 8 shows a naked man clambering up an uneven terrain, his arms and legs contorted into uncomfortable positions. This print is rendered in fine black line that marks a departure from much of Haring’s earlier works.
The Valley series is one of many by Haring that when considered in full, tells an unusual story as the sequence of images, combined with text, unfold. Haring’s later works such as The Valley Page 8 have been compared within art historical narratives to the chaotic storytelling of Hieronymus Bosch and the fierce liveliness of his friend and contemporary Jean-Michael Basquiat. Comparable to his Apocalypse series (1988) completed one year earlier, Haring’s images are chaotic and are born from a collaboration with the Beat Era poet and novelist William S. Burroughs, whose text-based ‘cut-up’ method formed the basis of Haring’s pictographic style.
The ominous texts by William S. Burroughs are copied by hand on sixteen sheets of tracing paper, which were photo-etched onto copper plates and printed in red ink. This print tells the story of a people called Corners, who perform for the rest of the Valley people as they enjoy a feast.
