The Story Of Red And Blue 16
The Story Of Red And Blue 16
Signed Print
Keith Haring
£1,850-£2,750
$3,700-$5,500 Value Indicator
$3,350-$4,950 Value Indicator
¥17,000-¥25,000 Value Indicator
€2,250-€3,300 Value Indicator
$18,000-$27,000 Value Indicator
¥360,000-¥540,000 Value Indicator
$2,350-$3,450 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 90
Year: 1989
Size: H 53cm x W 40cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| April 2022 | Wright | United States | |||
| December 2015 | Artcurial | France | |||
| November 2015 | Van Ham Fine Art Auctions | Germany | |||
| June 2015 | Karl & Faber | Germany | |||
| June 2014 | Karl & Faber | Germany | |||
| May 2013 | Kaupp Auktions House | Germany |
Meaning & Analysis
Presented in the format of a children’s storybook, The Story Of Red And Blue 16 is a print from Keith Haring’s The Story Of Red And Blue series from 1989. This signed colour lithograph is a limited edition of 90.
Representative of Haring’s desire to create a visual language that appealed to both children and adults alike, the series is formed of a variety of simplified images reminiscent of children’s fictional characters. Throughout the series Haring limits his colour palette to bright red and blue and renders each image in his distinctive linear style with black rounded lines.
The Story Of Red And Blue 16 shows an image of a bright red car with blue wheels positioned along the vertical axis of the frame. A cartoon-like figure is seen next to the car and appears to be shouting. Depicted through the use of simplistic shapes and bright, block colour, this print is a playful and appealing image that is reminiscent of a children’s storybook illustration.
Across the first half of the series, each print alternates in colour between red and blue and by this point in the series, the two colours appear together in the prints. In each print Haring uses simplified and generic pictograms to produce the effect of a children’s story book without a sensical storyline, where instead the story seems to focus abstractly on the colours red and blue.
