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Pop Shop II, Plate IV - Signed Print by Keith Haring 1988 - MyArtBroker

Pop Shop II, Plate IV
Signed Print

Keith Haring

£19,000-£29,000Value Indicator

$40,000-$60,000 Value Indicator

$35,000-$50,000 Value Indicator

¥190,000-¥280,000 Value Indicator

€22,000-€35,000 Value Indicator

$200,000-$310,000 Value Indicator

¥3,760,000-¥5,750,000 Value Indicator

$26,000-$40,000 Value Indicator

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31 x 38cm, Edition of 200, Screenprint

Medium: Screenprint

Edition size: 200

Year: 1988

Size: H 31cm x W 38cm

Signed: Yes

Format: Signed Print

Last Auction: October 2023

Value Trend:

17% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2023
Phillips New York
United States
£18,244
£21,463
£27,258
October 2023
Bonhams Los Angeles
United States
September 2022
Christie's London
United Kingdom
September 2022
Bonhams Los Angeles
United States
January 2018
Skinner, Marlborough
United States
April 2016
Christie's New York
United States
January 2007
Lempertz, Cologne
Germany
MyPortfolio
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Track auction value trend

The value of Keith Haring's Pop Shop II, Plate IV (signed) is estimated to be worth between £19,000 and £29,000. This screenprint, created in 1988, has shown consistent value growth, with an average annual growth rate of 4%. This work has an auction history of eight total sales since its entry to the market in October 2005. In the last 12 months, there have been no sales. However, in the last five years, the hammer price has ranged from £18,233 in October 2023 to £24,192 in September 2022. The average return to the seller over this period has been £18,508. The edition size of this artwork is limited to 200.

Created with Highcharts 11.4.8Jan 2007Oct 2009Aug 2012May 2015Mar 2018Dec 2020Oct 2023£16,000£18,000£20,000£22,000£24,000£26,000£28,000© MyArtBroker

Meaning & Analysis

The thick black outlines are typical of Haring’s street art style, developed in the subways and on the walls of New York in the early 80s. These early experiments resulted in a style and iconography for which Haring would become world famous, his barking dog, radiant child and winged superman figures instantly recognisable for their originality and playfulness. He would reproduce these figures over and over again, in bright colours reminiscent of advertising, and later, just before his death from AIDS in 1990, in plain white embossings.

Haring opened his first Pop Shop in downtown Manhattan in 1986. Aimed at kids and collectors alike, the Pop Shops were a place where Haring could sell his art for as little as 50 cents. The store stocked t-shirts, badges and magnets featuring his now ubiquitous designs.

While the project was praised by friends such as Andy Warhol, who was fascinated by the possibilities of the work of art in the age of mechanical reproduction, it was snubbed by many leading art world figures who placed more value on original works of art. Speaking of the importance of opening the shop as opposed to making large canvases to please collectors, Haring said, “I could earn more money if I just painted a few things and jacked up the price. My shop is an extension of what I was doing in the subway stations, breaking down the barriers between high and low art”.

Printed in four layers of colour – yellow, red, blue and black – this work shows Haring’s mastery of screen printing as a medium. Though he had experimented with print techniques such as lithography in the late 70s and 80s it wasn’t until 1983 that Haring began making screen prints, or serigraphs, which offered a way of creating multiple images, that artists had adopted from the world of commercial printing. This move to screen printing was undoubtedly due in part to the method being popularised by Warhol, one of Haring’s most important influences, and soon he was producing ever more inventive and daring work.

It soon became evident that the energy and curiosity he demonstrated for painting translated perfectly into printmaking and he began to work with publishers across the US, Switzerland, Japan, Germany, France, Denmark and Holland. The prints featuring singular images were released as portfolios of four, each from an edition of 200, while the Quad prints— compiling four images in a grid format— were released in an edition of 75. Totalling 875 prints featuring the blue-pink-yellow Pop Shop II artworks and exemplifying the prolific productivity of Haring’s printmaking, each individual print nevertheless reflects the attentive care paid by Haring throughout the production process. Though initially the singular Pop Shop II prints were released as four-part portfolios (and remain extremely valuable in their original sets of matching edition numbers) many portfolios have inevitably been divided.

By the time of his death, Haring had produced so many prints that the exact number has become impossible to count. There are many unsigned editions on the market, though these tend only to be considered valuable if approved by the Keith Haring Foundation. Today his prints are frequently among the most sought after multiples on the market.

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