Art Attack On Aids (yellow)
Art Attack On Aids (yellow)
Signed Print
Keith Haring
£1,700-£2,550
$3,350-$5,000 Value Indicator
$3,050-$4,550 Value Indicator
¥16,000-¥23,000 Value Indicator
€2,050-€3,100 Value Indicator
$17,000-$25,000 Value Indicator
¥320,000-¥490,000 Value Indicator
$2,150-$3,200 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Screenprint
Edition size: 100
Year: 1988
Size: H 72cm x W 68cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| June 2021 | Wright | United States | |||
| October 2020 | DuMouchelles | United States |
Meaning & Analysis
Created for the Art Attack On AIDS Benefit to help raise funds for the Wellness Network, this signed silkscreen from 1988 is a limited edition of 100 by Keith Haring. Art Attack On AIDS (yellow) features two vibrating figures rendered in bold line and shown with hollow faces and stomachs, punctured by the fists of the figure opposite, creating a symmetrical criss-cross of limbs.
Since the brutal murder of John Lennon, shot to death in 1980, Haring became obsessed with creating images of figures with holes in their stomachs as a means to express the emptiness of grief. Haring developed this motif to create images that represent the violence inflicted on the bodies of people living with AIDS and the grief felt throughout the epidemic that hit New York in the 1980s. This print shows the bodies both violated and violating one another, revealing the impact of AIDS as an intertwined embrace.
In his use of simplified form and recognisable symbols throughout his work, Haring produces a true public art that communicates clear-cut narrative views on socio-political injustices of the time, notably the AIDS epidemic of the 1980s. Art Attack on AIDS (yellow) uses a clear visual vocabulary as a form of protest art that can be understood and easily recognised by the masses.