Dog Leg Study
Dog Leg Study
Unsigned Print
Jean-Michel Basquiat
£45,000-£70,000
$90,000-$140,000 Value Indicator
$80,000-$130,000 Value Indicator
¥420,000-¥650,000 Value Indicator
€50,000-€80,000 Value Indicator
$450,000-$710,000 Value Indicator
¥8,880,000-¥13,810,000 Value Indicator
$60,000-$90,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Screen print in colours on Somerset Satin paper. S. 55.9 x 76.2 cm. (22 x 30 in.). Executed in 2019 in an edition of 50. Signed by the Administrators of the Estate of Jean-Michel Basquiat.
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| November 2021 | Bonhams New York - United States | Dog Leg Study - Unsigned Print | |||
| June 2021 | Rago - United States | Dog Leg Study - Unsigned Print | |||
| December 2020 | Phillips Hong Kong - Hong Kong | Dog Leg Study - Unsigned Print |
Meaning & Analysis
Although reminiscent in title to Leg Of A Dog, the imagery of Dog Leg Study is markedly more volatile and discordant. Text referring to landmark moments of twentieth-century history, such as ‘US Troops end occupation 1936 Haiti’ brush up against robotoid depictions of body parts. The text reading ‘Negroes as portrayed in the thirties’ recall images by the artist which deal with Black representation in Hollywood cinema, such as Hollywood Africans In Front Of The Chinese Theatre With Footprints Of Movie Stars.
In this work, another riot of clashing symbols, drawings and text, the artist's strident and clashing mark-making emphasises startling paradoxes in society's treatment of animals. Images of dogs and canine body parts are displayed alongside sausages and other meat items, contrasting the notion of dogs as human-like with society's use of animals as food. Flashes of red on body parts, including a dismembered foot in the centre of the piece, present a gory point of contrast to the clinical monochromatism of the Anatomy series.
