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Jasper
Johns

Jasper Johns is a prominent American multimedia artist who is best known for his depictions of flags. His innovative use of materials and exploration of symbolism have made him a central figure in contemporary art. If you’re looking for Johns original prints and editions for sale or would like to sell, request a complimentary valuation and browse our network’s most in-demand works.

Jasper Johns art for sale

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Biography

Jasper Johns was born on May 15, 1930, in Augusta, Georgia. He grew up in South Carolina and had limited early exposure to art, but began drawing at age three. After moving to New York in 1949, he briefly studied at Parsons School of Design, and was drafted to join the army during the Korean War in 1951, having served for two years. Johns' early work was experimental, blending techniques and media, which later became a hallmark of his style.

Johns rose to prominence in the late 1950s with his groundbreaking Flag series, a departure from the abstract expressionism dominant at the time that catapulted him into the spotlight. Johns' focus on symbols like flags, targets, maps and numbers was not just a stylistic choice but also a deep exploration of themes like patriotism, identity, symbolism and the role of art in society. His technique, often using encaustic (a wax-based paint) combined with collage and the inclusion of tangible objects like newspaper, adds a textural and almost three-dimensional quality to his work.

Throughout the 1960s and 1970s, Johns continued to evolve and became more abstract and introspective, often incorporating elements of his personal life and emotions. In the 1980s, he began using a wider variety of materials. His later works are characterised by a complex layering of images and references, ranging from personal to the art-historical. Johns has been recognised with numerous awards and honours, including the Presidential Medal of Freedom. Johns remains a vital figure in contemporary art, continually provoking thought and redefining the boundaries of artistic expression.

Johns has stated that the only artworks he saw during his childhood were the landscapes done by his paternal grandfather’s first wife. Nevertheless, his stepmother often bought him supplies and encouraged his artistic habit, leading him to study briefly at the University of South Carolina before moving to New York City in the early 1950s after being encouraged by his professors. After his period in the army, Johns met Robert Rauschenberg, Merce Cunningham and John Cage, forming a collaborative circle that profoundly influenced his artistic development. Johns and Rauschenberg were a couple for the better part of a decade, a significant relationship that would shape and inspire many of their artworks. It was Rauschenberg’s studio that gallery owner Leo Castelli was visiting in 1957, when he first became exposed to Johns’ work. He immediately offered the latter a solo show, which was held in 1958 and featured eighteen artworks – sixteen of which were sold. Three of those paintings were purchased by Alfred H. Barr Jr., the founding director of the Museum of Modern Art (MoMA), and were the first works by Johns to ever enter a museum collection.

Following this meteoric rise, Johns began working with sculptures, which he would continue for the next several decades. He has also extensively experimented with prints, having created these utilising a variety of techniques including lithographs and screen prints. He now has his own printmaking studio at his home. Johns' influence extends beyond his artworks; he played a crucial role in the development of Pop Art and Minimalism, and his approach to art-making helped pave the way for Conceptual Art.

Abstract canvas by Jasper Johns featuring hues of yellow, orange, red, blue, and grey. Stenciled words in contrasting spray-painted colours overlay the abstracted background.

Image © Christie's / Small False Start © Jasper Johns 1960

1. £48.6M for Jasper Johns's Small False Start

Small False Start (1960), a captivating creation by Johns, displays his expertise in collage and encaustic painting techniques. Using torn paper and his trademark wax and pigment mixture, Johns crafts visually striking and technically ambitious artwork. Within it, he explores the relationship between materiality and colour, overlaying stencilled words with paint. Known for his versatility, Johns blends abstraction with conceptualism, incorporating linguistic elements. A notable feature in this work is the deliberate misalignment between words and colours, symbolising artistic innovation. Since its market debut in 1989, Small False Start has garnered acclaim exceeding a substantial price tag of over $4 million (USD). Later, it achieved a momentous milestone in the distinguished Paul G. Allen sale, where it shattered previous auction records for Johns, commanding an impressive price of £4.8 million with fees.

Flags by Jasper Johns - Sotheby's

Image © Sotheby's / Flags © Jasper Johns 1986

2. £33.4M for Jasper Johns's Flags

In the November 2023 New York sales, Johns's Flags (1976) made its debut in the secondary market from the esteemed Emily Fisher Landau collection, marking its first appearance since 1987. A testament to both painterly and conceptual prowess, Johns' Flags stands as a monumental emblem within his oeuvre. Crafted using oil and encaustic wax on canvas, Johns' doubles the iconic red, white, and blue palette. Achieving £33.3 million, it became the second-highest lot of the sale, surpassing Johns' previous record set in 2014.

Painting of the American flag by Jasper Johns, showcasing a textured paint application. The artwork displays 13 alternating red and white stripes and 50 white stars set against a blue rectangle positioned in the upper left corner.

3. £22.7M for Jasper Johns's Flag

Flag (1960-1966) stands as the pinnacle of Johns' illustrious artistic repertoire. Beyond its commercial facade, this piece holds profound artistic significance, realised through Johns' innovative collage and painting technique, fusing disparate materials from the American flag onto its surface. Initially, it presents as a recognisable symbol of commodification and glorification. Yet, it embodies the pervasive concept of “American-ness” that defined the Post War era, resonating through contemporary culture. Serving as a defining moment in Johns' career, this work has a solo appearance on the secondary market, fetching a remarkable sale at Christie's in May 2010, amid an art market revival, solidifying its status as an invaluable cultural icon fetching £19.1 million.

A gray abstract canvas by Jasper Johns displaying expressive brushwork in different tones, featuring three positioned rectangles in the lower section of the artwork.

Image © Christie's / Gray Rectangles © Jasper Johns 1957