Invasion Kit 13, Made In Japan
Invasion Kit 13, Made In Japan
Signed Ceramic
Invader
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Medium: Ceramic
Edition size: 30
Year: 2010
Size: H 11cm x W 16cm
Signed: Yes
Format: Signed Ceramic
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| March 2023 | Sotheby's Paris | France |
Meaning & Analysis
Invasion Kit 13, Made In Japan by Invader, crafted in 2010, is a striking example of his iconic mosaic style. This limited edition piece, made of glass paste tiles, encapsulates the artist's innovative approach to street art. As part of Invader's celebrated series, it reflects his unique blend of pixelated aesthetics and cultural commentary.
This work exemplifies Invader’s signature use of ceramic tiles, reminiscent of the retro video game imagery that has become his hallmark. The mosaic is meticulously arranged, reflecting the artist's precision and dedication to craft. Created in an edition of 30 signed and 150 unsigned pieces, this artwork was released during Invader’s exhibition in Tokyo, symbolising his global reach and cultural fusion. The piece’s compact dimensions allow it to capture the essence of Invader’s larger urban installations, bringing the spirit of street art into a collectible format. The Invasion Kit series, inspired by the artist's ‘Space Invaders’ project, continues to challenge traditional art boundaries, blending digital nostalgia with contemporary commentary.
Anonymous street artist Invader adopted his pseudonym from the 1978 arcade game, Space Invaders, and has continually paid homage to retro, 8-bit video games throughout his career. His work has evolved from the original Space Invader motif since the early 2000s, with other icons such as Pac-Man, Pink Panther and even the Rubik’s Cube becoming staples in his imagery. Invading urban landscapes with his distinctive pixelated mosaic creations, Invader transcends the boundaries of traditional street art by combining playful nostalgia with an urban twist. His unique fusion of retro aesthetics and contemporary commentary has solidified his place in the global art scene.
