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Firenze - Signed Mixed Media by Gerhard Richter 2000 - MyArtBroker

Firenze
Signed Mixed Media

Gerhard Richter

£22,000-£35,000Value Indicator

$45,000-$70,000 Value Indicator

$40,000-$60,000 Value Indicator

¥210,000-¥340,000 Value Indicator

25,000-40,000 Value Indicator

$230,000-$370,000 Value Indicator

¥4,390,000-¥6,990,000 Value Indicator

$30,000-$45,000 Value Indicator

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12 x 12cm, Edition of 99, Mixed Media

Medium: Mixed Media
Edition size: 99
Year: 2000
Size: H 12cm x W 12cm
Signed: Yes
Format: Signed Mixed Media
Last Auction: October 2024
Value Trend:
-8% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2024
Christie's New York
United States
£22,400
£26,353
£33,205
November 2018
Van Ham Fine Art Auctions
Germany
December 2017
Karl & Faber
Germany
February 2007
Christie's London
United Kingdom
June 2005
Christie's London
United Kingdom
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Track auction value trend

The value of Gerhard Richter's Firenze (signed) is estimated to be worth between £22,000 and £35,000. This mixed media artwork, created in 2000, has an auction history of five total sales since its entry to the market on 24th June 2005. Over the past 12 months, the average selling price was £26,353, across a total of 1 sale. The average annual growth rate of this piece is currently at -8%. The edition size of this artwork is limited to 99.

Created with Highcharts 11.4.8Jun 2005Sep 2008Nov 2011Feb 2015May 2018Jul 2021Oct 2024£17,500£20,000£22,500£25,000£27,500£30,000£32,500£35,000© MyArtBroker

Meaning & Analysis

A photograph taken by Richter in 1999 on the banks of the river Arno has been overlaid with a dense layer of mixed oil paint. The view of the river blends with the torrent of vibrant colours on the left side of the artwork, rendering the city captivatingly oneiric. Richter intervenes in the colours of the photograph, depicting the river in bright shades of yellow, which intensifies the dreamlike quality of the picture.

The striking intermingling of oil paint and the photographic image represents one of the artist's most recognizable techniques. The practice of overpainting has been key to Richter’s works ever since he started to experiment with the medium of photography. The Museum Visit series (2011) saw the artist covering 234 photographs with soft layers of white paint in an attempt to problematize the modern notion of representation. The artist commented in the context of overpainting: “Painting always has reality: you can touch the paint; it has presence; but it always yields a picture”.

  • Hailing from Germany, Gerhard Richter has not been confined to one visual style. A testament to versatility and artistic diversity, Richter's work spans from photorealism to abstraction and conceptual art, and his portfolio is rich in varied media. From creating bold canvases to working on glass to distort the lines between wall-based art and sculpture, Richter has honed in on the blur technique to impart an ambiguity on his creations. To this day, Richter is one of the most recognised artists of the 20th century with his art having been presented in exhibitions worldwide. His global impact underscores his legacy as a trailblazer of artistic exploration.

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