The Yosemite Suite 10
The Yosemite Suite 10
Signed Print
David Hockney
£50,000-£80,000
$100,000-$160,000 Value Indicator
$90,000-$140,000 Value Indicator
¥460,000-¥740,000 Value Indicator
€60,000-€100,000 Value Indicator
$500,000-$790,000 Value Indicator
¥9,560,000-¥15,300,000 Value Indicator
$60,000-$100,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Digital Print
Edition size: 25
Year: 2010
Size: H 94cm x W 71cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| December 2020 | Christie's Paris | France |
Meaning & Analysis
The Yosemite Suite 10 by David Hockney, created in 2010, is an iPad drawing printed on paper. This print captures the serene landscape of Yosemite National Park, featuring lush greenery and towering trees. Part of a 25-edition series, it exemplifies Hockney's innovative use of digital media to depict natural beauty, continuing his exploration of landscapes.
The Yosemite Suite 10 showcases David Hockney's adept use of the iPad as a creative tool. The artwork presents a tranquil scene with verdant trees casting elongated shadows on the ground, set against a backdrop of soft, undulating hills. Hockney's technique involves intricate digital brushstrokes, creating a textured and layered effect that mimics traditional painting methods. The vibrant colours and dynamic composition reflect his ongoing fascination with capturing the essence of natural landscapes. This piece is part of Hockney's broader Yosemite Suite, a series that highlights the grandeur of Yosemite National Park through a modern lens. The series not only underscores his innovative spirit but also his deep connection to the Californian landscape, a recurring theme in his career since his move to Los Angeles in the 1960s.
