The Arrival Of Spring In Woldgate, East Yorkshire In 2011 (twenty eleven) - 19 April
The Arrival Of Spring In Woldgate, East Yorkshire In 2011 (twenty eleven) - 19 April
Signed Print
David Hockney
140 x 105cm, Edition of 25, Digital Print, 2011
£110,000-£160,000
$210,000-$300,000 Market Value Indicator
$200,000-$290,000 Market Value Indicator
¥1,010,000-¥1,470,000 Market Value Indicator
€130,000-€180,000 Market Value Indicator
$1,160,000-$1,690,000 Market Value Indicator
¥23,690,000-¥34,460,000 Market Value Indicator
$150,000-$220,000 Market Value Indicator
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Meaning & Analysis
The Arrival Of Spring In Woldgate East Yorkshire 19th April 2011 is a digital print by David Hockney, created in 2011. This artwork captures the transition of spring in the East Yorkshire countryside. Using an iPad, Hockney explores the intersection of technology and traditional landscape art, a theme he investigates throughout this series. The piece is part of a larger body of work documenting the changing seasons in Woldgate, near Hockney's hometown.
Within this work, Hockney employs his iPad to render a vibrant scene of the East Yorkshire countryside. The composition features tall, slender trees with budding leaves and a tree stump at the centre of the composition, signalling the onset of spring. Hockney's use of vivid greens and delicate pinks creates a dynamic interplay of colours, effectively capturing the freshness of the season.
The digital drawing technique allows for a fluidity in line work and colour application, reflecting the immediacy of Hockney's observations. This approach enables him to capture fleeting moments of light and colour in the landscape, a key aspect of this series. The artwork's digital origin is evident in its crisp lines and flat colour areas, creating a distinctive visual style that sets it apart from traditional landscape paintings.
This piece is one of many in The Arrival Of Spring In 2011 series, which documents the changing landscape over several months. By focusing on the same location throughout the seasons, Hockney provides a unique perspective on the subtle changes in light, colour, and vegetation that occur over time. The use of digital media in this series represents a significant development in Hockney's practice, demonstrating his ongoing exploration of new technologies in art-making. This approach allows him to combine the immediacy of plein air sketching with the flexibility of digital editing, resulting in a fresh interpretation of the landscape genre.
