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Home - Signed Print by David Hockney 1969 - MyArtBroker

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Signed Print

David Hockney

£9,500-£14,500Value Indicator

$20,000-$30,000 Value Indicator

$18,000-$27,000 Value Indicator

¥90,000-¥140,000 Value Indicator

€11,000-€17,000 Value Indicator

$100,000-$160,000 Value Indicator

¥1,890,000-¥2,880,000 Value Indicator

$13,000-$20,000 Value Indicator

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44 x 32cm, Edition of 100, Etching

Medium: Etching

Edition size: 100

Year: 1969

Size: H 44cm x W 32cm

Signed: Yes

Format: Signed Print

Last Auction: May 2025

Value Trend:

2% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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1 in network
4 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
May 2025
Doyle Auctioneers & Appraisers
United States
$10,500
$12,000
$15,000
May 2024
Dawsons, Berkshire
United Kingdom
June 2022
Germann Auctions
Switzerland
December 2020
Koller Zurich
Switzerland
January 2020
Phillips London
United Kingdom
March 2019
Sotheby's Online
United Kingdom
November 2018
Germann Auctions
Switzerland
MyPortfolio
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Track auction value trend

The value of David Hockney’s Home (signed) is estimated to be worth between £9,500 and £14,500. This etching, created in 1969, has shown consistent value growth, with an average annual growth rate of 2%. Over the past 12 months, the average selling price was £9,184, across a total of 1 sale. This work has an auction history of 10 total sales since its entry to the market in March 2017. The edition size of this artwork is limited to 100.

Created with Highcharts 11.4.8Nov 2018Dec 2019Jan 2021Feb 2022Mar 2023Apr 2024May 2025$9,000$10,000$11,000$12,000$13,000$14,000$15,000© MyArtBroker

Meaning & Analysis

Home depicts an empty armchair standing in front of a large, tall window surrounded by long curtains and providing a view into the garden. This work, as so many of Hockney’s monochrome prints depicting empty interior scenes, uses everyday objects to speak of intimate emotions. The role of the chair, a staple motif in Hockney’s paintings and prints, has been manifold. His 1970s prints, such as Chair, 38 The Colony, Malibu (1973) position the object as a symbol of longing and absence, exposing the subtly dented surfaces of cushions to signal that the seat has only recently been abandoned by someone dear to the artist. As Hockney’s images of rooms and studios are often populated by sitters, especially his lifelong friends, the lack of human figure in this print heightens a sense of longing. Intimate and peaceful, the print provides an insight into a personal space as well as the wide spectrum of feelings attached to the mundane objects.

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