£80,000-£120,000
$160,000-$240,000 Value Indicator
$140,000-$220,000 Value Indicator
¥740,000-¥1,110,000 Value Indicator
€100,000-€150,000 Value Indicator
$790,000-$1,190,000 Value Indicator
¥15,550,000-¥23,330,000 Value Indicator
$100,000-$150,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Lithograph
Edition size: 80
Year: 1980
Size: H 66cm x W 86cm
Signed: Yes
Format: Signed Print
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Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
March 2023 | Sotheby's New York | United States | |||
April 2019 | Sotheby's New York | United States | |||
April 2018 | Christie's New York | United States | |||
March 2018 | Christie's London | United Kingdom | |||
April 2015 | Christie's New York | United States | |||
October 2011 | Sotheby's New York | United States | |||
April 2011 | Bonhams New Bond Street | United Kingdom |
Lithograph Of Water Made Of Thick And Thin Lines, A Green Wash, A Light Blue Wash, And A Dark Blue Wash is a 1978-1980 lithograph by David Hockney. This 51 x 69 cm print depicts a swimming pool through varied lines and washes, capturing the play of light on water. This work depicts waves on the pool's surface with small waved lines in blue, while a green diving board extends into the centre of the composition from the top left corner.
Hockney's lithograph demonstrates his technical prowess in printmaking and his keen observation of water's visual properties. The artwork employs a combination of thick and thin lines to depict the rippling surface of a swimming pool, with green, light blue, and dark blue washes adding depth and movement to the composition.
The varying line weights and overlapping washes create a sense of depth, reflecting Hockney's meticulous study of light on water. This piece is part of a larger series where Hockney explores swimming pools, a recurring theme in his work since the 1960s. Published by Tyler Graphics, Ltd., the print showcases Hockney's approach to printmaking, with the use of multiple washes distinguishing it within the series.
The artwork reflects Hockney's continued interest in depicting California landscapes and lifestyles, a theme he began exploring after moving to Los Angeles in 1964. Through this series, Hockney contributes to the visual language of Pop Art while developing his own distinctive style in representing water and light. The lithograph's focus on the interplay of lines and colours to capture water's essence demonstrates Hockney's ability to distil the complex visual phenomena of water into a unique and graphic composition.