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Lithograph Of Water Made Of Lines, Crayon And A Blue Wash - Signed Print by David Hockney 1980 - MyArtBroker

Lithograph Of Water Made Of Lines, Crayon And A Blue Wash
Signed Print

David Hockney

£70,000-£110,000Value Indicator

$150,000-$230,000 Value Indicator

$130,000-$200,000 Value Indicator

¥680,000-¥1,060,000 Value Indicator

€80,000-€130,000 Value Indicator

$740,000-$1,160,000 Value Indicator

¥13,760,000-¥21,620,000 Value Indicator

$90,000-$150,000 Value Indicator

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76 x 87cm, Edition of 48, Lithograph

Medium: Lithograph

Edition size: 48

Year: 1980

Size: H 76cm x W 87cm

Signed: Yes

Format: Signed Print

Last Auction: May 2025

Value Trend:

12% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
May 2025
Doyle Auctioneers & Appraisers
United States
£61,574
£72,440
£91,274
October 2021
Christie's New York
United States
April 2021
Christie's New York
United States
November 2012
Sotheby's New York
United States
April 2005
Bonhams San Francisco
United States
MyPortfolio
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Track auction value trend

The value of David Hockney's signed Lithograph Of Water Made Of Lines, Crayon And A Blue Wash from 1980 is estimated to be worth between £70,000 and £110,000. This screenprint has shown consistent value growth, with an average annual growth rate of 12%. Over the past 12 months, the average selling price was £72,440, across a total of 1 sale. This artwork has a strong auction history, having been sold 5 times at auction since its initial sale in April 2005. The edition size of this artwork is limited to 48.

Created with Highcharts 11.4.8Apr 2005Aug 2008Dec 2011Apr 2015Sep 2018Jan 2022May 2025£55,000£60,000£65,000£70,000£75,000£80,000£85,000£90,000£95,000© MyArtBroker

Meaning & Analysis

The artwork employs a meticulous interplay of lines and washes to capture the essence of a swimming pool. Hockney uses crayon to create texture and depth, while the blue wash evokes the translucency of water. The lines, varying in thickness and density, suggest ripples and reflections on the water's surface, conveying a sense of movement.

This piece is significant within Hockney's oeuvre as it demonstrates his ongoing exploration of representing three-dimensional space and movement on a two-dimensional surface. The lithograph's technique reflects Hockney's experimentation with different printmaking methods during this period, pushing the boundaries of what could be achieved with the medium. The resulting work showcases Hockney's ability to distil complex visual information into a deceptively simple composition, offering viewers a unique perspective on the interplay of light and water.

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