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Mexican Hotel Garden - Signed Print by David Hockney 1984 - MyArtBroker

Mexican Hotel Garden
Signed Print

David Hockney

£4,150-£6,000Value Indicator

$8,500-$12,500 Value Indicator

$7,500-$11,000 Value Indicator

¥40,000-¥60,000 Value Indicator

4,950-7,000 Value Indicator

$45,000-$60,000 Value Indicator

¥800,000-¥1,160,000 Value Indicator

$5,500-$8,000 Value Indicator

-4% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Etching

Edition size: 65

Year: 1984

Size: H 61cm x W 91cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of David Hockney's Mexican Hotel Garden (signed) is estimated to be worth between £4,150 and £6,000. This etching print, created in 1984, has shown consistent value growth and has an auction history of five sales since its entry to the market on 20th June 2000. In the last 12 months, the average selling price was £4,712, across a total of 1 sale. Over the past five years, the hammer price has ranged from £4,500 in September 2020 to £4,712 in October 2024. The average annual growth rate of this work is currently at -4%. This artwork is part of a limited edition of 65.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
October 2024SBI Art Auction Japan
September 2020Sotheby's Online United Kingdom
October 2018Christie's New York United States
October 2016Wright United States
June 2000Christie's London United Kingdom

Meaning & Analysis

This signed print by British artist David Hockney is entitled Mexican Hotel Garden. Issued in an edition of 65, it is an etching work from 1984 and recalls the similarly abstracted pieces, View Of Hotel Well I, View Of Hotel Well II and View Of Hotel Well III. Unlike these garishly colourful works, Mexican Hotel Garden is rendered in monochrome, and is an example of Hockney’s signature line drawing techniques, visible in many of his other etchings. Eschewing traditional linear perspective, the work is testament to the artist’s deconstructive approach to image making, as explored in his Photo Collages, and his long love for the Cubist movement and Spanish artist Pablo Picasso. Commenting on Cubist perspective, Hockney once said, ‘Have you ever noticed how when you look at things close up, you sometimes shut one eye – that is, you make yourself like a camera?…  The Cubists, you know, didn’t shut their eyes.’ Recalling the painterly works he produced in the same year, Hockney once commented, ‘I was trying to create a painting where the viewer’s eye could be made to move in certain ways, stop in certain places, move on, and in so doing reconstruct the space across time for itself… The problem was how to prevent the eye from stopping, from getting stuck.’ Although Mexican Hotel Garden is an etching, it exudes a sense of a similar approach.

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