Peonies In A Glass Vase
Peonies In A Glass Vase
Signed Print
David Hockney
£11,000-£16,000Value Indicator
$23,000-$35,000 Value Indicator
$20,000-$30,000 Value Indicator
¥110,000-¥150,000 Value Indicator
€13,000-€19,000 Value Indicator
$110,000-$170,000 Value Indicator
¥2,160,000-¥3,140,000 Value Indicator
$14,500-$21,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Intaglio
Edition size: 35
Year: 1998
Size: H 97cm x W 77cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| June 2024 | Bonhams New Bond Street | United Kingdom | |||
| June 2024 | Nadeau's Auction | United States | |||
| September 2022 | Christie's London | United Kingdom | |||
| November 2011 | Bonhams New Bond Street | United Kingdom |
Meaning & Analysis
Peonies In A Glass Vase is an intaglio print created by David Hockney in 1998. This etching and aquatint on wove paper depicts a detailed arrangement of peonies in a transparent vase. This work is part of Hockney's series of floral studies from the late 1990s, showcasing his continued exploration of still life subjects.
This work demonstrates Hockney's technical prowess in printmaking, combining etching and aquatint techniques to create an image with varied textures and tonal depths. The composition focuses on the interplay of light and shadow, particularly evident in the rendering of the glass vase and the delicate petals of the peonies. The intaglio process allows for fine detail and tonal variations, capturing the translucency of the glass and the subtle gradations of colour in the flowers.
This print reflects Hockney's ongoing exploration of natural forms and still life subjects, a theme he has revisited throughout his career. Created in 1998, it represents a period when Hockney was dividing his time between California and Yorkshire, influencing his choice of subjects and colour palette. The print was co-published by the artist and Pace Editions Inc., New York, and printed by Maurice Payne in Los Angeles. This collaboration highlights Hockney's engagement with established printmaking studios, a practice that has contributed to the consistent quality of his print oeuvre.
