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Peonies In A Glass Vase - Signed Print by David Hockney 1998 - MyArtBroker

Peonies In A Glass Vase
Signed Print

David Hockney

£10,500-£16,000Value Indicator

$22,000-$35,000 Value Indicator

$19,000-$30,000 Value Indicator

¥100,000-¥150,000 Value Indicator

12,000-18,000 Value Indicator

$110,000-$170,000 Value Indicator

¥2,090,000-¥3,180,000 Value Indicator

$14,000-$22,000 Value Indicator

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97 x 77cm, Edition of 35, Intaglio

Medium: Intaglio
Edition size: 35
Year: 1998
Size: H 97cm x W 77cm
Signed: Yes
Format: Signed Print
Last Auction: June 2024
Value Trend:
-11% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
June 2024
Bonhams New Bond Street
United Kingdom
£5,950
£7,000
£8,960
June 2024
Nadeau's Auction
United States
September 2022
Christie's London
United Kingdom
November 2011
Bonhams New Bond Street
United Kingdom
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Track auction value trend

The value of David Hockney's Peonies In A Glass Vase (signed) is estimated to be worth between £10,500 and £16,000. This intaglio print, created in 1998, has shown consistent value growth since its first sale in November 2011. The edition size of this artwork is limited to 35. Over the past five years, the hammer price has varied from £7,000 in June 2024 to £32,256 in September 2022, with an average annual growth rate of -11%. This work has a steady auction history, having been sold 4 times at auction.

Created with Highcharts 11.4.8Nov 2011Dec 2013Jan 2016Mar 2018Apr 2020May 2022Jun 2024£4,000£5,000£6,000£7,000£8,000£9,000© MyArtBroker

Meaning & Analysis

This work demonstrates Hockney's technical prowess in printmaking, combining etching and aquatint techniques to create an image with varied textures and tonal depths. The composition focuses on the interplay of light and shadow, particularly evident in the rendering of the glass vase and the delicate petals of the peonies. The intaglio process allows for fine detail and tonal variations, capturing the translucency of the glass and the subtle gradations of colour in the flowers.

This print reflects Hockney's ongoing exploration of natural forms and still life subjects, a theme he has revisited throughout his career. Created in 1998, it represents a period when Hockney was dividing his time between California and Yorkshire, influencing his choice of subjects and colour palette. The print was co-published by the artist and Pace Editions Inc., New York, and printed by Maurice Payne in Los Angeles. This collaboration highlights Hockney's engagement with established printmaking studios, a practice that has contributed to the consistent quality of his print oeuvre.

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