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Panama Hat On A Chair - Signed Print by David Hockney 1998 - MyArtBroker

Panama Hat On A Chair
Signed Print

David Hockney

£7,000-£10,500Value Indicator

$14,500-$22,000 Value Indicator

$13,000-$20,000 Value Indicator

¥70,000-¥100,000 Value Indicator

€8,000-€12,000 Value Indicator

$80,000-$110,000 Value Indicator

¥1,380,000-¥2,070,000 Value Indicator

$9,500-$14,500 Value Indicator

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74 x 57cm, Edition of 100, Lithograph

Medium: Lithograph

Edition size: 100

Year: 1998

Size: H 74cm x W 57cm

Signed: Yes

Format: Signed Print

Last Auction: October 2024

Value Trend:

-9% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2024
Christie's New York
United States
$9,500
$11,000
$14,000
October 2014
Sotheby's New York
United States
September 2014
Stair Galleries
United States
September 2013
Christie's London
United Kingdom
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Track auction value trend

The value of David Hockney's Panama Hat On A Chair (signed) is estimated to be worth between £7,000 and £10,500. This lithograph print, created in 1998, has shown consistent value growth, with an average annual growth rate of 5%. This work has an auction history of four total sales since its entry to the market in September 2013. Over the past 12 months, the average selling price was £8,476, with a total sales volume of 1. The edition size of this artwork is limited to 100.

Created with Highcharts 11.4.8Sep 2013Jul 2015May 2017Apr 2019Feb 2021Dec 2022Oct 2024$7,000$8,000$9,000$10,000$11,000$12,000$13,000$14,000© MyArtBroker

Meaning & Analysis

This signed print by British artist David Hockney was issued in an edition of 100 in 1998. Part of the Chairs series, it takes a domestic object as its principal subject. In the image, a 19th-century chair stands awkwardly; a panama hat and a bow tie lay on its upholstered seat, suggesting the presence of an otherwise absent figure. At the base of the monochrome image, a geometric grid makes an abstracted mirroring of the chair’s shadow. Its rigidity contrasts with the otherwise gestural applications of ink which form the chair’s stile and spat. This work was created by Hockney to appear in the Geldzahler Portfolio: a collection of 10 works by artists such as Jasper Johns, Roy Lichtenstein, David Salle, and Frank Stella, created for the first curator of 20th-century art at New York’s Metropolitan Museum, Henry Geldzahler. The cigar-toting Geldzahler, one of Hockney’s life-long friends, was present during one of Hockney’s first visits to New York in the early ‘60s and introduced Hockney to the likes of Dennis Hopper and Andy Warhol. Much like Hockney’s Photo Collages collection, and the many other works of the artist’s works which depict chairs (such as Number One Chair from 1985-6, or Vincent’s Chair And Pipe from 1988), Panama Hat On A Chair defies traditional perspective, owing much to the influence of the Cubist movement.