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Till Death Do Us Part (viridian leaf, green, chocolate) - Signed Print by Damien Hirst 2012 - MyArtBroker

Till Death Do Us Part (viridian leaf, green, chocolate)
Signed Print

Damien Hirst

£5,500-£8,000Value Indicator

$11,500-$17,000 Value Indicator

$10,000-$15,000 Value Indicator

¥50,000-¥80,000 Value Indicator

€6,500-€9,500 Value Indicator

$60,000-$90,000 Value Indicator

¥1,090,000-¥1,590,000 Value Indicator

$7,500-$11,000 Value Indicator

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52 x 37cm, Edition of 50, Screenprint

Medium: Screenprint

Edition size: 50

Year: 2012

Size: H 52cm x W 37cm

Signed: Yes

Format: Signed Print

Last Auction: June 2022

Value Trend:

5% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
June 2022
Sotheby's Paris
France
£2,031
£2,389
£3,011
May 2019
Alex Cooper Auctioneers
United States
MyPortfolio
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The value of Damien Hirst's Till Death Do Us Part (viridian leaf, green, chocolate) (signed) is estimated to be worth between £5,500 and £8,000. This screenprint has shown consistent value growth, with an average annual growth rate of 5%. This work has an auction history of two total sales since its entry to the market in May 2019. The hammer price over the past five years has ranged from £1,972 in December 2020 to £2,748 in February 2021. The edition size of this artwork is limited to 50.

Created with Highcharts 11.4.8May 2019Nov 2019May 2020Nov 2020Jun 2021Dec 2021Jun 2022£1,750£2,000£2,250£2,500£2,750£3,000£3,250© MyArtBroker

Meaning & Analysis

The Till Death Do Us Part series depicts one of Hirst’s most famed motifs: the human skull. In 2007 Hirst created one of his most enigmatic works, For the Love of God, a diamond-encrusted skull cast from platinum plates and set with diamonds, weighing a huge 1,106.18 carats. Fascinated by death as a subject for artistic investigation, Hirst does not represent decay or fear of death with his diamond encrusted piece, but instead transforms this image of mortality into an aestheticized symbol. Hirst’s Till Death Do Us Part series has a similar effect, with his use of repetition and saturated colours that represent the constant psychic tussle between life and death, beauty and decay, desire and fear, love and loss.

It is only in the later stages of Hirst’s career that he has become interested in prints and editions. His first print portfolio was produced in 1999 and were a set of screen prints that depicted medicine bottle labels. Since his first print portfolio, Hirst has produced many prints and editions like those in the Till Death Do Us Part series and are a major part of his oeuvre.

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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