The Souls On Jacob's Ladder 6
The Souls On Jacob's Ladder 6
Signed Print
Damien Hirst
£6,000-£8,500
$12,000-$17,000 Value Indicator
$11,000-$15,000 Value Indicator
¥50,000-¥80,000 Value Indicator
€7,000-€10,500 Value Indicator
$60,000-$80,000 Value Indicator
¥1,180,000-¥1,680,000 Value Indicator
$7,500-$10,500 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Intaglio
Edition size: 72
Year: 2007
Size: H 120cm x W 108cm
Signed: Yes
Format: Signed Print
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection
Track auction value trend
Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2024 | Christie's London | United Kingdom | |||
| September 2023 | Christie's London | United Kingdom | |||
| September 2017 | Sotheby's Online | United Kingdom | |||
| September 2017 | Sotheby's Online | United Kingdom | |||
| January 2016 | Phillips London | United Kingdom | |||
| March 2014 | Christie's London | United Kingdom | |||
| March 2010 | Sotheby's London | United Kingdom |
Meaning & Analysis
The Souls On Jacob’s Ladder 6 is an intaglio print from Damien Hirst’s The Souls On Jacob’s Ladder Take Their Flight series from 2007. The print shows a large yellow butterfly with its wings outspread, set against a black backdrop. Hirst’s use of the flattened, black backdrop creates a striking print that synthesises aesthetic and scientific modes of representation.
Fascinated by the symbolism that the butterfly holds across the globe, much of Hirst’s artistic oeuvre is dominated by the motif. Behind the intricate appearance of the beautifully rendered butterfly is a tragic set of meanings; their three-day life span reminding the viewer of the fleeting and fragile nature of life itself.
Hirst is notoriously ambivalent with his subject matter and brings themes of love and death into dialogue with one another. Partly explaining why he is so enthralled by butterflies, Hirst has said, “I love butterflies because when they are dead they look alive.” The appearance of life that the butterfly retains in death lies at the heart of Hirst’s aesthetic interests that are concerned with the distance between the beautiful image of the butterfly and the insect in real life.
