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Memento 3 - Signed Print by Damien Hirst 2008 - MyArtBroker

Memento 3
Signed Print

Damien Hirst

£22,000-£30,000Value Indicator

$45,000-$60,000 Value Indicator

$40,000-$60,000 Value Indicator

¥210,000-¥290,000 Value Indicator

26,000-35,000 Value Indicator

$230,000-$310,000 Value Indicator

¥4,150,000-¥5,650,000 Value Indicator

$29,000-$40,000 Value Indicator

-3% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Intaglio

Edition size: 30

Year: 2008

Size: H 120cm x W 108cm

Signed: Yes

Format: Signed Print

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Damien Hirst's Memento 3, an intaglio print from 2008, is estimated to be worth between £22,000 and £30,000. This work is signed by the artist and has an auction history of one sale in June 2009. There have been no sales in the last 12 months and no hammer price data in the last five years. The edition size of this artwork is limited to 30.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
June 2009Phillips London United Kingdom

Meaning & Analysis

Reminiscent of the work of Pop artist Andy Warhol, Hirst creates a series of thirteen prints with repeated subject matter and similar compositions, but with varying colour combinations, butterfly species and skulls to make each print unique. Rendering the fine detail of the butterfly wings and setting this against the dark backdrop, Hirst produces a highly simplistic image that finds universally engaging triggers. This contrast between bold colour, the starkly dark backdrop and the realistic image plays with Hirst’s concern with facts and truth that images are assumed to depict.

The butterfly motif is a prominent figure that Hirst has used throughout his career to bring together themes around morality, life, love, faith and aesthetics. Speaking of his obsession with butterflies Hirst has explained, “I think rather than be personal you have to find universal triggers: everyone’s frightened of glass, everyone’s frightened of sharks, everyone loves butterflies.”

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