Cathedral, Santiago De Compostela
Cathedral, Santiago De Compostela
Signed Print
Damien Hirst
£23,000-£35,000Value Indicator
$50,000-$70,000 Value Indicator
$45,000-$70,000 Value Indicator
¥220,000-¥340,000 Value Indicator
€27,000-€40,000 Value Indicator
$250,000-$370,000 Value Indicator
¥4,580,000-¥6,970,000 Value Indicator
$30,000-$50,000 Value Indicator
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120 x 120cm, Edition of 50, Screenprint
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Meaning & Analysis
Taken from Damien Hirst’s 2007 Cathedral series, Cathedral, Santiago De Compostela is a screen print that shows an intricate kaleidoscopic pattern made up of many varying butterfly wings. The print is depicted in an array of colours such as blue, yellow, coral, orange and red and the geometric composition is made up of concentric circles.
Evocative of stained glass windows in Gothic architecture, Cathedral, Santiago De Compostela conflates the scientific with the aesthetic. Hirst uses the wings of butterflies to create the geometric pattern, appearing almost like insects on display in a natural history museum. The aesthetic comes into play in the creation of a beautiful pattern exuding a kinetic energy that is exciting and mesmerising to look at.
For Hirst, the butterfly is a ‘universal trigger’ that many people share in finding attractive and joyous. Recalling someone once saying to him: “Butterflies are beautiful, but it’s a shame they have disgusting hairy bodies in the middle,” Hirst in works like this chose only to display the dazzling wings in Cathedral, Santiago De Compostela. Across the series, the butterfly wing is rendered unrecognisable when viewed at a distance and as part of a larger intricate pattern.
Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.
