Quene 1-Am
Quene 1-Am
Signed Print
Damien Hirst
£4,950-£7,500
$10,000-$15,000 Value Indicator
$9,000-$13,500 Value Indicator
¥45,000-¥70,000 Value Indicator
€6,000-€9,000 Value Indicator
$50,000-$80,000 Value Indicator
¥990,000-¥1,490,000 Value Indicator
$6,500-$10,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Etching
Edition size: 100
Year: 2004
Size: H 113cm x W 116cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| December 2023 | Bonhams Knightsbridge - United Kingdom | Quene 1-Am - Signed Print | |||
| September 2022 | Sotheby's Online - United Kingdom | Quene 1-Am - Signed Print | |||
| September 2019 | Sotheby's London - United Kingdom | Quene 1-Am - Signed Print | |||
| June 2018 | Bonhams New Bond Street - United Kingdom | Quene 1-Am - Signed Print | |||
| March 2016 | Christie's New York - United States | Quene 1-Am - Signed Print | |||
| September 2015 | Sotheby's London - United Kingdom | Quene 1-Am - Signed Print | |||
| March 2014 | Sotheby's London - United Kingdom | Quene 1-Am - Signed Print |
Meaning & Analysis
Published in an edition of 100, Quene 1-am is a print from 2004 by Damien Hirst. The print shows nine perfect circles in a square grid, each circle rendered in a different colour. Hirst has produced many prints like this one, which can be grouped into a series of works titled the Spots paintings, of which there are over 1,400 works on canvas.
The cold repetition and sterile aesthetic of the Spots works are reminiscent of Hirst’s early pill cabinet works such as The Void from 2000. Both evoke a sense of endless sameness and directly allude to the realms of medicine and science. Each series of the Spots paintings are associated with a specific drug group. The drug and chemical titles of each print suggest a nondescript powder or pill that is abstract in its scientific mode.
It is only in the later stages of Hirst’s career that he has become interested in prints and editions. His first print portfolio was produced in 1999 and were a set of screen prints that depicted medicine bottle labels. Since his first print portfolio, Hirst has produced many prints and editions like those in the Spots series and are a major part of his oeuvre.
