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Domino Confido (diamond dust) - Signed Print by Damien Hirst 2009 - MyArtBroker

Domino Confido (diamond dust)
Signed Print

Damien Hirst

£10,500-£16,000Value Indicator

$22,000-$35,000 Value Indicator

$19,000-$30,000 Value Indicator

¥100,000-¥150,000 Value Indicator

12,000-18,000 Value Indicator

$110,000-$170,000 Value Indicator

¥2,090,000-¥3,180,000 Value Indicator

$14,000-$22,000 Value Indicator

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74 x 72cm, Edition of 50, Screenprint

Medium: Screenprint
Edition size: 50
Year: 2009
Size: H 74cm x W 72cm
Signed: Yes
Format: Signed Print
Last Auction: March 2022
Value Trend:
-1% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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1 in network
3 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
March 2022
Christie's London
United Kingdom
$12,500
$14,500
$18,000
November 2021
Tate Ward Auctions
United Kingdom
March 2017
Christie's London
United Kingdom
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Track auction value trend

The value of Damien Hirst’s Domino Confido (diamond dust) (signed) is estimated to be worth between £10,500 and £16,000. There have been three sales at auction since its entry to the market on 29th March 2017. Over the past five years, the hammer price has ranged from £9,000 in November 2021 to £11,088 in March 2022. The average annual growth rate of this work is -1%. This screenprint is from a limited edition of 50.

Created with Highcharts 11.4.8Mar 2017Jan 2018Nov 2018Sep 2019Jul 2020May 2021Mar 2022$10,000$12,000$14,000$16,000$18,000$20,000© MyArtBroker

Meaning & Analysis

The print, made in 2009, is one of 150 works that composed the Psalms series. The series was started in 2008 and each work is made using butterfly wings on painted canvases. The works in the series are all named after a psalm from the Old Testament, emblematic of the way in which Hirst uses his art to question belief systems, such as religion. Hirst enjoys using his art to explore complicated subjects such as death, life, religion, beauty and science. The artist explains: “I am absolutely not interested in tying things down.”

The butterfly has become a staple part of Hirst’s visual language and iconography. Along with skulls and diamonds, the butterfly has become closely associated with the artist’s name. The artist began using butterflies in his work as early as 1989, while he was studying Fine Art at Goldsmiths College and has continued to incorporate them into his works in series such as The Souls series.

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