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Benedictus Dominus (diamond dust) - Signed Print by Damien Hirst 2009 - MyArtBroker

Benedictus Dominus (diamond dust)
Signed Print

Damien Hirst

£17,000-£26,000Value Indicator

$35,000-$50,000 Value Indicator

$30,000-$50,000 Value Indicator

¥160,000-¥250,000 Value Indicator

20,000-30,000 Value Indicator

$180,000-$280,000 Value Indicator

¥3,380,000-¥5,170,000 Value Indicator

$23,000-$35,000 Value Indicator

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109 x 107cm, Edition of 50, Screenprint

Medium: Screenprint
Edition size: 50
Year: 2009
Size: H 109cm x W 107cm
Signed: Yes
Format: Signed Print
Last Auction: September 2023
Value Trend:
14% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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8 in network
2 want this
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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
September 2023
Phillips London
United Kingdom
$14,500
$17,000
$22,000
April 2018
Phillips New York
United States
April 2015
Christie's New York
United States
September 2013
Sotheby's London
United Kingdom
October 2012
Phillips London
United Kingdom
June 2011
Phillips London
United Kingdom
September 2010
Sotheby's London
United Kingdom
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Track auction value trend

The value of Damien Hirst's Benedictus Dominus (diamond dust) is estimated to be worth between £17,000 and £26,000. This signed screenprint, created in 2009, has an impressive auction history, having been sold 7 times at auction since its initial sale on 16th September 2010. The hammer price over the past five years has ranged from £8,470 in October 2017 to £20,800 in February 2022. The average annual growth rate of this work is 16% and the edition size is limited to 50.

Created with Highcharts 11.4.8Sep 2010Nov 2012Jan 2015Mar 2017May 2019Jul 2021Sep 2023$12,000$14,000$16,000$18,000$20,000$22,000$24,000© MyArtBroker

Meaning & Analysis

The print is part of the artist’s Psalms series. In this series, which the artist started in 2008, Hirst produces various patterned canvases, all of which use butterflies as their main stylistic element. The prints in the series are all named after a psalm from the Old Testament, emblematic of Hirst’s interest in contemporary belief systems, such as religion. The Psalms are part of a broader series, the Kaleidoscope series, an impressive project dating back to 2001, which was inspired by the intricate pattern of butterfly wings Hirst saw on an old Victoria tea tray.

Hirst has been drawn to butterflies since the start of his artistic career in the late 1980s when he was studying Fine Art at Goldsmiths College. Hirst describes the insect as a “universal trigger,” arguing that “Everyone’s frightened of glass, everyone’s frightened of sharks, everyone loves butterflies.”

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