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L-Isoleucine T-Butyl Ester - Signed Print by Damien Hirst 2018 - MyArtBroker

L-Isoleucine T-Butyl Ester
Signed Print

Damien Hirst

£20,000-£30,000Value Indicator

$40,000-$60,000 Value Indicator

$35,000-$60,000 Value Indicator

¥190,000-¥290,000 Value Indicator

23,000-35,000 Value Indicator

$210,000-$320,000 Value Indicator

¥3,970,000-¥5,950,000 Value Indicator

$27,000-$40,000 Value Indicator

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118 x 86cm, Edition of 55, Woodcut

Medium: Woodcut
Edition size: 55
Year: 2018
Size: H 118cm x W 86cm
Signed: Yes
Format: Signed Print
Last Auction: October 2020
Value Trend:
-3% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Auction Results

Auction Date
Auction House
Location
Return to Seller
Hammer Price
Buyer Paid
October 2020
Bonhams New York
United States
£18,408
£21,656
£27,286
MyPortfolio
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The value of Damien Hirst's L-Isoleucine T-Butyl Ester (signed) is estimated to be worth between £20,000 and £30,000. This woodcut print, created in 2018, has an auction history of one sale on 30th October 2020. The average annual growth rate of this artwork is -3%. This work is part of a limited edition of 55.

Created with Highcharts 11.4.8Oct 2020£27,957© MyArtBroker

Meaning & Analysis

The 2018 Woodcut Spots series is representative of a vast body of work in Hirst’s oeuvre that has become iconic to his name. There are over 1000 spot paintings in existence, dating from 1986 to 2011, where Hirst has produced an average of 60 spot paintings a year. The grid formula for these paintings is the basis for an endless series where Hirst can infinitely explore harmonious and contrasting colour combinations.

Fascinated by intuitive colour choice from his days at Goldsmiths, Hirst claims that the spot paintings have removed any problems he previously had with colour, allowing him to present a perfect arrangement of colour that is never repeated. Hirst explains that, “mathematically, with the spot paintings, I probably discovered the most fundamentally important thing in any kind of art. Which is the harmony of where colour can exist on its own, interacting with other colours in a perfect format.”

  • Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.

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