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Cyclizine - Signed Print by Damien Hirst 2010 - MyArtBroker

Cyclizine
Signed Print

Damien Hirst

£6,500-£10,000Value Indicator

$13,500-$21,000 Value Indicator

$12,000-$19,000 Value Indicator

¥60,000-¥100,000 Value Indicator

7,500-12,000 Value Indicator

$70,000-$110,000 Value Indicator

¥1,260,000-¥1,930,000 Value Indicator

$8,500-$13,500 Value Indicator

33% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Woodcut

Edition size: 48

Year: 2010

Size: H 311cm x W 311cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Damien Hirst's Cyclizine (signed) is estimated to be worth between £6,500 and £10,000. This woodcut print, created in 2010, has shown consistent value growth, with an average annual growth rate of 30%. This work is part of a rare edition of 48 and has an auction history of three total sales since its entry to the market in May 2014. Over the past five years, the hammer price has ranged from £5,500 to £9,500.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
September 2022Phillips London United Kingdom
December 2017Christie's New York United States
May 2014Whyte's Ireland

Meaning & Analysis

The 12 Woodcut Spots series recalls Hirst’s widely recognised spot paintings that date from 1986 to 2011. Since 1986, Hirst has created over 60 spot paintings a year, it’s ‘grid formula’ establishing the basis for an endless series. The endlessness of the series allows for an infinite exploration of harmonious and contrasting colour combinations.

The titles of the prints in this series are based on names of chemical compounds and are abstract in their lack of signifying something tangible in the world. The chemical name evokes a nondescript powder or pill that exacerbates the incessant endlessness to the series. Hirst in 2000 remarked on the impact of an installation of multiple spot paintings, “it’s an assault on your senses. They grab hold of you and give you a good shaking. As adults, we’re not used to it. It’s an amazing fact that all objects leap beyond their own dimension.”

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