Blue Dominance
Blue Dominance
Signed Print
Bridget Riley
£8,500-£12,500
$16,000-$24,000 Value Indicator
$14,500-$21,000 Value Indicator
¥70,000-¥110,000 Value Indicator
€9,500-€14,500 Value Indicator
$80,000-$120,000 Value Indicator
¥1,430,000-¥2,100,000 Value Indicator
$10,500-$16,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 100
Year: 1977
Size: H 86cm x W 38cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| November 2023 | Christie's New York - United States | Blue Dominance - Signed Print | |||
| November 2023 | Christie's New York - United States | Blue Dominance - Signed Print | |||
| December 2022 | Bonhams Knightsbridge - United Kingdom | Blue Dominance - Signed Print | |||
| September 2021 | Bonhams New Bond Street - United Kingdom | Blue Dominance - Signed Print | |||
| April 2013 | Lyon & Turnbull Edinburgh - United Kingdom | Blue Dominance - Signed Print | |||
| September 2012 | Christie's London - United Kingdom | Blue Dominance - Signed Print | |||
| October 2002 | Christie's London - United Kingdom | Blue Dominance - Signed Print |
Meaning & Analysis
Blue Dominance is a signed screen print in colour, executed in 1977 by Bridget Riley, a foremost painter in the Op Art movement and a pioneer of British Abstract Art. Released in an edition of 100, Blue Dominance is one of four prints constituting the Dominance series, in which vertical lines in varying colours undulate across the two-dimensional surface. Four hues have been selected: green, red, blue and a greyish blue tone. Green and red, two contrasting colours, create vibrancy, whilst blue, a colour lying next to green on the spectrum, blends into the green, the two colours shimmering where they meet.
Although seemingly random colour combinations, the compositions are the result of attentive planning to create stunning visual effects. By juxtaposing lines of complimentary colours Riley was able to affect the perceived brightness of each colour, taking the visual, optical effects further than she was able to when working exclusively in black and white.
