Soup Cans Quad (gold on grey)
Soup Cans Quad (gold on grey)
Signed Print
Banksy
£40,000-£60,000Value Indicator
$80,000-$120,000 Value Indicator
$70,000-$110,000 Value Indicator
¥390,000-¥580,000 Value Indicator
€45,000-€70,000 Value Indicator
$420,000-$640,000 Value Indicator
¥7,910,000-¥11,870,000 Value Indicator
$50,000-$80,000 Value Indicator
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70 x 50cm, Edition of 12, Screenprint
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Meaning & Analysis
In 2006, Banksy produced a limited edition of 12 signed screen prints called Soup Cans Quad (gold on grey), revisiting Andy Warhol's famous serialized soup cans. The print features four Tesco Value soup can, mocking greedy corporations and critiquing the consumerism Warhol celebrated.
Banksy’s original four-colour screen print, Soup Can, is a play on Andy Warhol's now-infamous Pop Art Campbell’s Soup Cans. As Pop Art with from the 1960s, Banksy has taken the image of the commercial product into the realm of art, but has transported it into a 21st century cultural context and ironic style using a Tesco tomato soup can - far less romantic than the nostalgia we now associate with Campbell’s.
The limited edition screen print is one of Banksy’s most iconic and came in four different variations (the number of cans featured on the print, and their colours vary). Originally released in 2005 the original was a single Soup Can. The edition was of 250 unsigned screen prints. Soup Cans Quad was released a year later, showing four cans against a block grey background.
Renowned British street artist, Banksy, is the enigmatic figure behind some of the most subversive works in the Urban Art scene. Despite his anonymity, the artists' disruptive stunts have not only gained him notoriety, but they have vocalised his stance on many social and political issues. As seen with the likes of Girl With Balloon and Napalm, Banksy uses his distinctive stencil technique to produce thought-provoking commentaries on challenging themes. The showcase of rebellion that lines his work has caused his secondary market value to soar in recent years, propelling him to the top of the Urban Art scene.
